Historic Forest Hills Banks Merit New Lease on Life & Not Demolition!

 By Michael Perlman

Banks were traditionally erected as freestanding buildings with solid construction comprised of high ceilings and classical architectural features, to instill a sense of financial stability, integrity, security, and commitment, and were regarded as community centerpieces. In Forest Hills, three bank buildings became available over the past year, echoing the neighborhood’s past, as they were designed in harmony with their surroundings. Now community residents and visitors are hopeful that their unique period details will be preserved, whether the buildings continue to operate as a bank or are adaptively reused, which has been accomplished countrywide. 

 

A “For Sale” sign was posted on the façade of Forest Hills National Bank of New York at 99-00/02 Metropolitan Avenue , which most recently operated as a branch of Chase. This Greek Revival meets Colonial building style building’s façade remains mostly intact, retaining its brick and stonework consisting of pilasters, a door surround, arched windows, and a pediment. It opened in December 1928 to primarily serve a growing community of south Forest Hills which was 22 years old at that time, whereas Rego Park was 5 years old. The Queens Chamber of Commerce’s “Queensborough” publication stated, “The capital stock of $200,000 is held for the most part by Queens Borough business men who believe in the future of the borough. The bank starts with a surplus of $50,000.” It also explained that the bank operated a Special Interest department and a Christmas Club.

Daniel J. Flynn, Vice President of Jones Lang LaSalle, a commercial real estate services company, explained that he and his colleague is currently under negotiations with a buyer. The façade’s few modifications include the uppermost arched section of the windows covered with aluminum siding, replaced windows, and the building’s original etched name also covered with aluminum. The interior has dropped ceilings, but can be eliminated to reveal distinctive details from 1928. While examining the façade, he said, “I love the look of the building. It captures a bygone era, in which materials and labor were disproportionately less expensive. At this point, the buyer fully plans to utilize the building and not modify the exterior.” Considering its ideal location, he continued, “This part of Queens serves a very important function in housing and commerce.” 

The longtime location of HSBC Bank at 107-15 Continental Avenue was home to The Williamsburgh Savings Bank in 1975 to benefit Forest Hills’ growing community. It is now available for lease and its use remains to be seen. In the 1970s, the bank appointed an architect to creatively design the façade in the Tudor style, a hallmark of Forest Hills architecture, which complements the harmonious ambiance along Austin Street, Continental Avenue, and Forest Hills Gardens. A few decades ago, the commercial district was still referred to as “The Village” by community residents. The façade remains mostly intact and includes signature half-timbering, ornamental brick and stone chimneys, a slate pitched roof, a finial, Roman numeral clock, and flagpoles. 

A leasing opportunity advertises an available 6,500 square feet with an additional mezzanine and basement. It also references heavy daytime traffic and the space’s excellent condition which remains fully built out as a bank.

As of March 1975, The Williamsburgh Savings Bank, which was incorporated in 1851, increased in resources to over $1.7 billion. An ad featuring a façade rendering read, “Get a free gift at our new Forest Hills office only for opening a new savings account of $5,000, $1,000, $500 or $200 or more during the opening celebration.” Weekly door prizes ranged from a G.E. cassette recorder or a Polaroid SX-70 camera to a Raleigh 10-speed bicycle or a Panasonic 16 in. solid state TV. Grand door prizes included a trip for two to Bermuda or Las Vegas, a choice of grandmother’s or grandfather’s clock, a G.E. washer & dryer, a Panasonic Quadruplex stereo, or a Sun Fish sailboat. Nineteen prizes for a new account of $5,000 or more included a Caravelle by Bulova, a Manning-Bowman stainless steel rotisserie broiler, and a Corelle 20-piece Livingware set by Corning. For over $1,000, 14 options included an ICP AM/FM portable radio, a Sankyo digital alarm clock, and a flight bag. 

In November 1921, the Corn Exchange Bank received permission from the State Banking Department to open a Forest Hills branch at 106-24 Continental Avenue. Now it is known as Boston Market and also consists of the recently shuttered Aldo, which is being advertised as a store for rent. Around 1922, patrons were welcomed to a prominent Tudor style brick and stone building at a major intersection. It features a pitched sweeping roof with terra-cotta tiles and a spire harmonious to the nearby Forest Hills Inn, as well as tall windows with motifs of crops and flowers. The bank’s name, etched in stone, reportedly exists underneath Boston Market’s signage. As renovations were underway in Aldo nearly ten years ago, the removal of a faux ceiling revealed a much higher curved ceiling with period details, but was only witnessed by the modern eye briefly.

In January 1928, readers of “Queensborough” learned that the firm, which began business on February 1, 1853, had eight of its more than 60 branches in Queens. It stated, “The bank has a capital of $11,000,000 and surplus and undivided profits of $16,527,000. The bank entered the Queens field on August 28, 1899, when it absorbed the Queens County Bank.” The Forest Hills branch manager was Edward L. DeForest.

“Part of the lure and rewards of exploring New York’s history is how every neighborhood has its own character,” said Riley Kellogg, an adjunct lecturer in history and a licensed NYC tour guide. My hometown’s rich history teaches us about all the people who have been drawn here for myriad reasons, and how all have contributed to building the New York City we know and love. One of the most visible, and we hope lasting marks of those characters, are a place’s architecture. The evidence of who Forest Hills has been, who it is now -- who we are now -- is there to be seen in the mix of Tudor and Classical, humble and grand, commercial and residential buildings. These former bank buildings each reveal one of the faces of this ever-growing, ever-evolving neighborhood. There are good reasons to keep our older buildings. We needn't obliterate our past in order to grow our future. In fact, the future will have stronger roots, and be sounder and more truly ours, if we build with the past, rather than demolishing and forgetting it.”

Helen Day, Richmond Hill Historical Society VP, is also concerned about Forest Hills’ historic buildings. She was surprised to see Chase closing its Metropolitan Avenue branch. “It is a lovely building that I would really like to see preserved with a new use. It is large enough for a restaurant or another bank.” She continued, “The Tudor style buildings on Continental Avenue also fit well with the neighborhood. They don’t need to go to the expense of tearing a building down or doing a complete renovation of the façade. Each one of these buildings contributes to the character and appeal of their location. It is unfortunate that the businesses are no longer there, but this is an opportunity for another business to make good use of them.”

She explained a case in point. “Many period features get covered up, but that doesn’t mean you cannot uncover them. I know of a hair salon in Ridgewood, where the owner pulled out all the modern stuff and found tin ceilings and great details that she incorporated into her décor. The interiors should have as much character as the exterior! Preserving something unique will give a special look to whatever they will open at those three Forest Hills locations.” 

Preservation Call: Forest Hills Jewish Center, A Community Cornerstone!

 By Michael Perlman  

Forest Hills and Rego Park are home to a vast collection of historic buildings that bear architectural and cultural significance. Among them is the sanctuary building of Forest Hills Jewish Center at 106-06 Queens Boulevard, situated on Rabbi Ben Zion Bokser Square, named after the congregation’s prior and longtime rabbi, who was highly influential in Conservative Judaism in the U.S. It has an adjoining religious school, recreation center, and senior center. Collaboratively, it boosts the community’s quality of life. Each period of architecture offers distinctive buildings meriting preservation. Without education, history and architecture is sometimes misunderstood and undiscovered. 

Forest Hills Jewish Center was designed by Architect Joseph J. Furman, and represents a fusion of the International Style and earlier Art Moderne style. Today, the firm operates as Furman & Furman Architects. The convex front façade bears a relationship to the street. Limestone steps with modernistic brass railings lead to varnished carved wooden doors with brass handles. Etched in limestone above the entryway is “They Shall Build Unto Us A Sanctuary” and “That I May Dwell Among Them.” Limestone surrounds hold sleek stained glass windows that depict the Burning Bush on the front and side façades. The crab-orchard rock façade, quarried from Tennessee, is reminiscent of the stone pattern of the Western (Wailing) Wall in Jerusalem; the only surviving remnant of the destroyed Holy Temple. On December 6, 1949, the synagogue received an Honorable Mention award for its excellence in design and construction in the Queens Chamber of Commerce's public buildings category. 

“This new building, raising its hands to heaven, is more than a sacred structure. It is an example of the type of thinking that will bring universal peace and solution of the problem that faces all mankind” were the bold words of New York City Mayor William O’Dwyer to 5,000 attendees on the steps of the newly dedicated Forest Hills Jewish Center on September 18, 1949. He then stated, “Sacred institutions embodied the democratic ideal and principle.” 

For the synagogue, the prospectus read, “The heart and soul of the community. Beautiful and inspiring – soaring heavenward, lifting the aspirations of our congregation.” It also introduced a chapel, main auditorium, school, library, bridal chambers, social halls, club rooms, committee rooms, a kitchen, gymnasium, and lounge. 

Right to left: Rabbi Ben-Zion Bokser, Building Committee Chair Fred Katzner, Huntington Bache great grand-nephew of Benjamin Franklin in center, Mayor O’Dwyer, & Building Committee members Emanuel Roth, John Turk, & Harvey Pearls

Photo: Architect Joseph J Furman & Rabbi Ben-Zion Bokser overlook the 1947 FHJC cornerstone

The first synagogue was organized in 1931 in a frame house on Kessel Street, and then a 2-story synagogue was erected on site. Later on, the Queens Boulevard cornerstone was laid in 1947, and incorporated one stone from the Holy Land and another from a desecrated synagogue’s ruins in Frankfort on the Main, Germany. The cornerstone reads, “That The World May Be Perfected Under The Kingdom Of The Almighty (1947/ 5708).” The groundbreaking ceremony was attended by Rabbi Ben-Zion Bokser, Chair of Building Committee Fred Katzner, Huntington Bache; great grand-nephew of Benjamin Franklin, Mayor O’Dwyer, and Building Committee members Emanuel Roth, John Turk, and Harvey Pearlstein. 

Stepping into the synagogue’s 1,400-seat sanctuary, the charming ambiance is embellished by stained glass windows and the Aron Kodesh (Holy Ark). The over 20-feet high elaborate golden ark depicts Judaic traditions and holidays, and was designed by the famed artist Arthur Szyk. This was his first 3D creation for a synagogue, and resembles the breastplate of a Torah scroll. It is considered unique how a Torah design element can serve as an inspiration for a larger than life model, which houses the Torah. Historians and critics consider the Ark to be one of the greatest works of 20th century Judaic art. Two of Szyk’s candelabras sit adjacent.

According to the Arthur Szyk Society, Szyk’s art was his means to promote ethnic and religious tolerance, human dignity, and social justice. Syzk worked in the tradition of 16th century miniaturist painters utilizing text and illustrations. The famed Szyk Haggadah was given to Forest Hills Jewish Center. It became a work of hope and courage during Hitler’s rise. It addressed the era’s politics paired with earlier oppression. Referring to WWII, Szyk told the New York Daily Mirror on April 10, 1941, “The Revolution America fought was an ideal that any artist could thrill to. Today art must be almost negatively directed against a force that destroys all ideals. But no true artist has the right to avoid using his strength to strike at the darkness." The Times of London referred to his work to be “among the most beautiful ever produced by the hand of man.” Szyk is considered by art critics to be the greatest illuminator of the past four centuries.

In the late 1940s, a synagogue building boom was underway, especially in the suburbs. Religious persecution and tragedies of the Holocaust were fresh in the consciousness of Americans, resulting in renewed interest in Judaism, and Forest Hills Jewish Center is a physical example of how they persevered with forward thinking and community-oriented faith. The year 1948 also coincided with the new state of Israel, tying into religious pride. The December 1948 issue of “Interiors & Industrial Design” referred to Forest Hills Jewish Center’s style as “a radical departure from the usual Moorish and Oriental style of synagogue architecture.”

Mitchell Grubler, president of Queens Preservation Council, called the synagogue a prime example of post-WWII modernist synagogue architecture. He explained, “After the Second World War, the design of synagogues moved away from traditional Old World influences and embraced a modernist aesthetic. The Forest Hills complex embodies the spirit, design and social philosophies of midcentury Judaism. The temple complex was intended to not only serve a growing suburban Jewish population after WWII, but also to benefit and be open to the wider community with recreational services.” 

Forest Hills Jewish Center is often a subject on Forest Hills history and Mid-Century Modern walking tours. Architectural historian and tour guide Frampton Tolbert also had much to express in the name of preservation. He founded an innovative website, “Queens Modern,” to largely chronicle the period of 1948 to 1970, when the Queens Chamber of Commerce recognized nearly 400 Queens buildings at its annual building awards program. He said, “Forest Hills Jewish Center is a jewel of the neighborhood. The restrained Modern design, including Crab-Orchard stone cladding across a convex facade, is highly visible from MacDonald Park. I have been pleased to include the building as a featured site on my annual tour of Forest Hills architecture.”

Annual Preservation Conference Unites Citywide Advocates

By Michael Perlman

Preservation conference panel, Photo by Michael Perlman

The Historic Districts Council (HDC), a citywide advocate for New York’s historic neighborhoods, hosted the 26th Annual Preservation Conference at John Jay College on March 7. Hundreds of preservationists from the five boroughs networked and discussed strategies in preserving historic buildings and districts that grant community distinction, with an aim of strengthening the preservation ethic through tools including Individual Landmark (façade) and Historic District status via the NYC Landmarks Preservation Commission, as well as the State & National Register of Historic Places. 

Rego-Forest Preservation Council at the preservation fair

Rego-Forest Preservation Council flyer, March 2020

An annual preservation fair offered an opportunity for organizations to present current initiatives and display posters, brochures, and petitions at tables. Diverse attendees included Rego-Forest Preservation Council, Docomomo, South Street Seaport Coalition, 300 East 25th Street Block Association, Lower East Side Preservation Initiative, NY Preservation Archive Project, Greenwich Village Preservation, Park Slope Civic Council, Iron Hills Civic Association, Save Chelsea, Bronx Borough Landmarks Committee, Mott Haven Historic Districts Association, and Hart Island Project. Networking continued over a buffet lunch. 

Iron Hills Civic Association & friends, Photo by Michael Perlman

Section of preservation fair, Photo by Michael Perlman

This event builds upon the success of the recent ceremony where the “Six To Celebrate” 2020 communities meriting preservation are Rego Park, East Flatbush, Center Park Slope, Bronx Preservation Committee, Todt-Dongan Hills, and Landmarks of the Future Citywide. Rego-Forest Preservation Council advocates for landmark status for significant sites in Rego Park, Forest Hills, and nearby Queens communities, and documents local history. Presently, Forest Hills has three official landmarks, Remsen Cemetery (designated 1981), Ridgewood Savings Bank (2000), and Engine 305 & Ladder 151 (2012), but Rego Park has no designations. 

Simeon Bankoff, executive director, Historic Districts Council, Photo by Michael Perlman

HDC President Daniel Allen, Photo by Michael Perlman

HDC President Daniel Allen explained their success since 1970. “We have produced hundreds of programs about New York’s history and educated thousands of people about how to protect their historic neighborhoods, worked on gaining designations of more than 125 of the soon-to-be 150 historic districts, and reviewed thousands of proposals to alter historic buildings.” He continued, “Since last year’s conference, preservationists fought hard to protect the city’s character.” Landmark designations include Bay Ridge’s first historic district and Tin Pan Alley. “Each advancement has something in common; a fierce group of preservationists holding rallies, sending e-blasts, writing letters, bothering elected officials, and testifying at hearings.” A short film of preservation stories proved what makes our city special, and also included Landmarks Lion award recipients such as historian Barry Lewis and preservationists Christabel Gough and Kitty Carlisle, and Grassroots Preservation Award recipients. 

Chair Sarah Carroll, NYC Landmarks Preservation Commission, Photo by Michael Perlman

There are over 37,000 landmarked buildings and sites, including over 1,400 Individual Landmarks, 149 Historic Districts, 120 Interior Landmarks, and 11 Scenic Landmarks. HDC Executive Director Simeon Bankoff introduced keynote speaker, Chair Sarah Carroll of the NYC Landmarks Preservation Commission (LPC). She explained, “NYC is a vibrant city whose history is revealed through its built environment. I believe that preservation is integral for the dynamism of this city and is a significant factor in NYC being a global destination. It was because of New Yorkers’ growing concern for the protection of the city’s history, that the Landmarks Law was enacted 55 years ago.”

During her time at the LPC for over 25 years in various roles, she has strived to initiate fairness and equity to the agency. She explained, “I firmly believe that preservation needs to represent and reach more communities, and that means representing our diverse history, and in the long-run, promoting preservation in all communities. We are working to ensure diversity in designations, making sure that we are telling the stories of all New Yorkers, and really looking at communities that haven’t had a voice in the past. We are working to ensure effective outreach for our regulatory work and garnering support for designations while recognizing NY’s incredible diversity, and ensuring fairness, transparency, and efficiency in regulations, so that proposed work is approved in a timely manner and that we are supporting property owners through technical assistance and improved guidance.”

She continued, “Preservation is more than just protecting our historic buildings, but about providing life to these buildings, so they can continue to be relevant tomorrow because as speaker Corey Johnson says, ‘In a city as dynamic as New York, the only constant is change.’”

A recent LPC goal is to identify newer buildings that reflect the more recent NYC history. She said, “It is vitally important that we think ahead and protect these properties that continue to represent the city’s changing nature, as well as the diversity of our social and cultural history.”

“In order to be equitable, we need to nurture preservation in less represented communities that may not have the architectural icons that earlier districts had, but have equally strong historic and cultural value,” said Carroll. 

Preservation session led by Simeon Bankoff, HDC, Photo by Michael Perlman

Participant-driven conferences are a component that differentiates this event from others. In classrooms, leaders delivered 45-minute sessions on NYC preservation topics which were voted upon by preservationists, and the winners were “South Street Seaport,” “Not Just Preservation,” “What About Penn South?,” “Lower West Side,” “Quarantine Island,” and “Preservation Manifesto.”

Simeon Bankoff’s presentation pinpointed that New Yorkers inherit the city and need to pass it down to future generations in a recognizable shape, and asserted that the government is the nurturer of citizens and must provide a healthy environment, safety, education, housing, and a stable economy. Additionally, equal access and the opportunity to utilize public resources are essential. Attendees proposed advocating for more preservation-friendly people in public office and offering training sessions, having buildings over a certain age become landmarks (similar to other municipalities), and having the full LPC body review proposed designations, the LPC holding public hearings at a certain threshold of community support, and every community having access to open space and protection of their historical resources. Suggestions also included implementing citywide planning which includes preservation and sensitive contextual development, modifying mayoral appointments of commissioners, instituting a demolition tax based on environmental factors and an EIS peer review, and strengthening community board oversight. A main point was that our historic city’s preservation is equally as important future housing and climate resiliency. 

50+ years of advocacy panel, Photo by Michael Perlman

Plenary sessions were inspired by HDC’s 50th anniversary. The first session, “50+ years of advocacy” reflected upon HDC’s preservation work and posed the question of what will advocates seek to preserve in the next 50 years. Panelists pinpointed current preservation challenges and proposed directions meriting exploration. It featured moderator Angel Ayón, Gregory Dietrich, Christian Emanuel, and Vicki Weiner. As a case in point for Queens, Emanuel, a real estate broker, was a dormant preservationist until his parents, commercial tenants at the Bank of Manhattan Company tower in Queens Plaza were facing eviction, and what was once Queens’ first skyscraper (1927), was threatened with demolition. They partnered with the HDC and rallied support from the community and elected officials, and the building was landmarked within a year. Today, Emanuel is on HDC’s board of directors. 

Designation tales panel, Photo by Michael Perlman  

The second session, “designation tales” largely focused on landmarking success stories told by advocates and offered advice on the process. Panelists were moderator Kelly Carroll, George Calderaro, Julia Charles, Jim Protos, and Keith Taylor.

Volunteer with Rego-Forest Preservation Council - New Flyer

A Forest Hills Map with A Story To Tell

1926 Forest Hills map by Ernest Clegg for Cord Meyer Development Company, Courtesy of Rego-Forest Preservation Council

In a dusty old box, if we look beyond the surface, there may be more to discover than what meets the eye. With a curious mind, one is bound to encounter a couple of surprises. This is the case with a highly illustrated Forest Hills street map from 1926 in a prospectus for Forest Close, an award-winning Arts & Crafts style village of rowhouses developed that same year by Cord Meyer Development Company. At the time, Forest Hills, which was named by the firm, was only 20 years old, while Rego Park was 3 years old. Cord Meyer’s client was Ernest Clegg (1876 – 1954), a largely respected pictorial cartographer, graphic designer, and calligrapher. Today, he is long-forgotten, but his extensive inventory of artistic maps serves as a testament.

Clegg’s creative illustrations include Forest Close, the West Side Tennis Club Stadium which was three years old, the “new” Forest Hills Theatre on Continental Avenue which opened in 1922, Our Lady Queen of Martyrs two years prior to developing the parochial school building on Austin Street, the Queens Valley Golf Club which would have been located in today’s Kew Gardens Hills. At the time, the Queensboro Bridge and Queens Boulevard had a trolley line, and commuters could either hop on a 30-minute trolley or a 20-minute bus. North of Queens Boulevard, thoroughfares included Yellowstone Avenue (renamed Yellowstone Boulevard), Continental Avenue (now 108th Street), Colonial Avenue (now 110th Street), and Seminole Avenue (now 112th Street). Further north was a proposed park, which would become Flushing Meadows Corona Park, as well as a sketching of Flushing Creek.

One of the cartouches features the original Georgian Colonial style real estate office for Cord Meyer Development, which stood where the Midway Theatre is located. The map also notes the location of other significant sites including the Forest Hills Masonic Temple, which later became Boulevard Bank and Sterling National Bank. Opposite Forest Close and its sister community of Arbor Close were tennis courts on Austin Street, facing the LIRR.

Numerical streets did not exist, but rather alphabetized Atom Street on the east to Zuni Street on the west, perpendicular to Queens Boulevard. A majority of unique streets have been renamed such as Atom Street as 75th Avenue, De Koven Street as 72nd Road, Pilgrim Street as 67th Drive, Sample Street as 66th Road, and Zuni Street as 63rd Drive. Jewel Street has been retained as Jewel Avenue. Some street names are preserved in building names, such as the Kelvin Apartments at 69-40 108th Street and Livingston Apartments at 68-60 108th Street. In other cases, building names based on streets are forgotten such as The Portsmouth at 72-22 Austin Street on Portsmouth Place, reserved for south of Queens Boulevard, now 72nd Road. These three properties are the earliest Cord Meyer apartment buildings standing.

Another category is buildings that pay tribute to street names that were no longer in circulation. A later Cord Meyer building, The Balfour at 112-20 72nd Drive memorializes Balfour Street. Quality & Ruskin Apartments on Yellowstone Boulevard and 108th Street pay tribute to Quality Street known as 67th Road and Ruskin Street as 67th Avenue.

South of Queens Boulevard, the map features Backus Place named after the Backus family farm, one of the major farming families, especially at the time of the Civil War. Further east, Ascan Avenue was retained, and named after farmer Ascan Backus, who was one of the most successful commercial farmers in the northeast. Between those boundaries, heading east, were streets including Herrick Avenue, Shelbourne Place, Continental Avenue, Windsor Place, Roman Avenue, and Portsmouth Place.

Clegg lived a diverse life. He was born in the suburbs of Birmingham in the U.K. and attended King Edward VI Grammar School and the Birmingham School of Art. His work was highly influenced by the Victorian Arts & Crafts Movement. As a calligrapher, he felt inspired by the medieval period’s gilded and illuminated manuscripts. During WWI in 1914, he was commissioned with the 7th Battalion, The Bedfordshire Regiment. Then in 1916, he earned the rank of Major and was a temporary Commanding Officer.

In 1919, he increasingly became well-known as a graphic designer and calligrapher in American and British veteran communities in New York. When he worked with William Edward Rudge, the New York Fine Art publisher, he illustrated and lettered a limited edition of Canadian war poet John McCrae’s “In Flanders Fields.” Another highlight was his illuminated manuscript for the British Princess Royal, Princess Mary on her wedding in 1922. A pictorial map from 1925 in the collection of the Museum of the City of New York features a chronology of part of New York City depicting six locations and buildings of Brooks Brothers since their founding in 1818. Another masterpiece was his Great War Map of Battle Lines in France and Belgium on September 25, 1918, copyrighted in 1926. It was presented by Marshal Sir Douglas Haig to the Old Guard of New York. The insignia of 42 American Divisions which witnessed service is depicted.

In 1928, his large map commemorated aviator Charles Lindbergh’s first independent flight navigating the Atlantic Ocean a year prior, and was published by the New York John Day Company. That same year, he produced a rare jigsaw puzzle map captioned “Firestone reaches around the world to give most miles per dollar,” which features factories and plantation buying offices of Firestone in countries including the United States, Mexico, Russia, China, and Africa.

His pursuits as a yachtsman led him in the direction of creating a series of decorative printed charts that recorded three America’s Cup competitions off Newport in the 1930s. After a request from the British Ambassador, Lord Halifax, he returned to England in 1944, and then began producing decorative County maps. It proved beneficial for the Women’s Land Army Benevolent Fund that offered post-war support for thousands of female volunteers who helped sustain British food production during WWII. Clegg’s Kent: Battle of Britain, 1940 – 1941 pictorial map was among many other highly recognized accomplishments.

Lost Battalion Hall, Where History & Recreation Come Alive

By Michael Perlman

Lost Battalion Hall in 1940

Lost Battalion Hall linen era postcard, Courtesy of Michael Perlman

One historic site that has served as a community beacon for over 75 years is Lost Battalion Hall at 93-29 Queens Boulevard in Rego Park. From 1938 to 1939, the Works Progress Administration (WPA) funded an Art Moderne building that bears homage to the 77th Division of the U.S. Army for its heroism in the Battle of Argonne in France during WWI. Over half of its 550 American soldiers perished and are remembered as members of “The Lost Battalion.” The building was placed under Parks Department jurisdiction in 1960, and also serves the community as a recreation center for children to seniors with diverse programs and activities including art, a media lab, weightlifting, ping-pong, basketball, and fitness classes.

Lost Battalion Hall's Art Moderne facade, Photo by Michael Perlman

Lost Battalion Hall's limestone inscription with bronze tablets, Photo by Michael Perlman

WPA mural 1, Lost Battalion Hall gym, Photo by Michael Perlman

WPA mural 2, Lost Battalion Hall gym, Photo by Michael Perlman

Adorning the façade is a tributary limestone inscription with two bronze tablets of the Statue of Liberty. In a most unassuming place, the gymnasium, players encounter two “Sailor, Soldier, Marine” WPA murals of the Lost Battalion in action, which were painted by Oscar Julius in 1938 and last restored in 1995. Two bronze plaques are displayed in the lobby. One features Lady Liberty with an inscription that reads, “In Memory of The Lost Battalion. Built AD 1938 By Work Projects Admin. George U. Harvey, Boro. President of Queens.” Another memorial plaque features BP Harvey’s portrait as Lieutenant colonel, DSC (Distinguished Service Cross) dedicated by the citizens of Queens in 1946.

Lost Battalion Hall memorial plaque, Photo by Michael Perlman

Queens BP George Harvey memorial plaque, Photo by Michael Perlman

Company C 308th Infantry, Camp Upton, Lost Battalion, Jan 1918

Company C 308th Infantry, France, 1919

Historically, Lost Battalion Hall featured a firing range and drill hall for the Queens Veterans of Foreign Wars and the American Legion. This is also where the Civilian Defense Volunteer Office welcomed enrollees for World War II. In 1941, 2,000 guests celebrated President Franklin D. Roosevelt’s birthday with a dance to aid an infantile paralysis drive. Among other diverse events are square dance festivals in the 1940s, an appearance by professional basketball player Bobby McDermott in 1950, boxing matches, a Perquackey contest in 1966, and testimonials for Presidents Truman and Eisenhower.

Lost Battalion Hall, WWII civilian defense matchbook, Courtesy of Michael Perlman

Square Dancing at Lost Battalion Hall, March 22, 1943, Courtesy of Parks Dept

Square Dancing at Lost Battalion Hall, March 22, 1943, Courtesy of Parks Dept

Lost Battalion Hall, Boxing with champ Emile Griffith circa May 1962, Courtesy of Parks Dept

Lost Battalion Hall boxing circa May 1962, Courtesy of Parks Dept 

Lost Battalion Hall Perquackey contest, September 10, 1966, Courtesy of Parks Dept

Lost Battalion Hall Director David Siegel presents bust to Barnett Federoff, 1963, Today Federoff Triangle park in Forest Hills bears tribute

Mayor Michael Bloomberg presented a proclamation and proclaimed August 22, 2003 as “77th Appreciation Day” in recognition of the brave men and women who served on behalf of our nation. An excerpt read: “For 86 years, the 77th Army Infantry Division has protected our city and our nation in times of crisis. On its 86th anniversary, we salute its descendant, the 77th Army Reserve Command and its courageous and skilled members who continue this illustrious unit’s legacy of valor. The unit was established on August 25, 1917 in New York State, and was called the ‘Metropolitan Division’ because a large percentage of its membership was residents of New York City.”

77th Appreciation Day Proclamation to Lost Battalion Hall, Photo by Michael Perlman

Lost Battalion Hall security with youth coach Eric Friedman & manager Angela Elie, Photo by Michael Perlman

“I have the pleasure of meeting and working with people of many backgrounds and have a chance to listen to their experiences and learn about their customs,” said Lost Battalion Hall Manager Angela Elie, who serves the community since 2011. “We engage people of all ages and abilities through art, music, technology, and so much more. For example, I enjoy watching seniors get active through various programming.”

Elie’s service is complemented by diverse experiences including working with professional basketball players. She said, “One of our former teen members plays for Oklahoma City Thunder and won last year’s NBA All-Star Slam Dunk Contest. I felt a sense of pride watching the content and even told my husband, ‘That’s my kid!’” Other unforgettable moments include hosting Mayor de Blasio’s Town Hall in June 2017 and a holiday event with Derek Jeter portraying Santa Claus. “A most notable perk is that I get to work in a building with so much life, character, and history every day,” she said.

Elie is also grateful to educate the community about the site’s rich history. “I love meeting people that visit who are relatives of those that were part of the Battalion,” she said.

Lost Battalion Hall Recreation Center hosts a wide range of programs including some that precede the start of her position. In affiliation with her staff, she has developed, conceptualized, and launched enrichment programming including culinary arts which is offered every first Saturday. She explained, “This program is tailored for children, ages 8-13, and helps them get comfortable in the kitchen. Participants prepare three-course meals inspired by international cuisines with the assistance of New York Cares volunteers. We also host a Study the Stars Program that actively explores the field of astronomy. Participants utilize our state-of-the-art telescopes on the rooftop and are encouraged to engage with our natural environment.”

Among the humanitarian causes, the center has participated in food donations and has been part of the Department of Homeless Services’ community outreach initiatives. Additionally, it has served as a deployment site for the Board of Elections.

Elie feels that the WPA murals serve as a touching reminder of sacrifice and freedom. “I recall being in awe when I first laid eyes on them, and they’re a lovely piece of history.” In recent years, artist Lufa Rufo painted a mural that transformed the Senior Center’s walls, ceiling, and a piano with trees, birds, butterflies, and the Unisphere.

For 25 years, Eric Friedman, has served as the center’s youth coach, and feels that this historic building is a second home. “Knowing that Lost Battalion Hall bears homage to the 77th division of the US Army makes me feel proud to be an American.” He has been running tiny tot programs for ages 1-3 for over 20 years. He continued, “Watching children learn, grow, and develop is truly enriching. My programs teach and prepare toddlers for preschool, and it’s been a pleasure to work with families of the surrounding communities.”

I also coach street hockey and serve as director of the afterschool program here at Lost Battalion Hall Recreation Center. Each aspect of my position here is rewarding and fun.

Friedman has long been an inspiration. “I tell all my athletes, members, and program participants to enjoy life and respect their families and communities. As long as they focus on that, they can always reach for the stars.”

He also fondly recalls Derek Jeter’s holiday event. “Jeter handed out gifts to hundreds of children, and I can’t begin to describe the priceless expressions on their faces when he walked in.” Another highlight was hosting the New York Rangers during a street hockey clinic. He said, “The players were so receptive to the children and truly engaged our members to help them master the sport of hockey. It was great to see children interact with these athletes.”

Some events may not be as well-known. He explained, “A few Golden Glove fighters trained as part of our boxing program. We also run an Olympic weightlifting competition and had a few NBA players that played here before their professional careers began.”

Rego Park Honored As A “Six To Celebrate” Historic Community

By Michael Perlman

HDC Six To Save 2020 Rego Park poster & HDC 50th anniversary pamphlet, Photo by Michael Perlman

Rego Park, founded in 1923 by REal GOod Construction Company, has been selected by a most influential citywide advocate non-profit organization, Historic Districts Council (HDC) as one of the 2020 “Six To Celebrate” communities. Annually, the Six To Celebrate program, launched in 2011, identifies six historic New York City neighborhoods that merit preservation as priorities for HDC’s year-long advocacy and consultation. Rego-Forest Preservation Council will collaborate with HDC and apply for Individual Landmark (façade) and Historic District status via the NYC Landmarks Preservation Commission (LPC) for architecturally and culturally significant properties and sections, respectively, as well as coordinate walking tours among other initiatives. 

Friends of the HDC, Courtesy of Ron Caveglia

On January 15, a launch party attended by over 100 guests was held at the landmarked National Arts Club, also known as the Samuel Tilden mansion at 15 Gramercy Park South, which offered an ideal setting to celebrate this special occasion with speeches, food, a PowerPoint presentation, and HDC’s 50th birthday. Even LPC Chair Sarah Carroll was in attendance. Besides Rego Park, the other Six To Save preservation-worthy areas are East Flatbush, Center Park Slope, Bronx Preservation Committee, Todt-Dongan Hills, and Landmarks of the Future Citywide. To date, the program helped create 13 NYC Historic Districts, 50 Individual Landmarks, 5 National Register districts, and 3 National Register properties. Additionally, it has leveraged over $130,000 in private and public grants for these community-driven projects. 

Guests from the 5 boroughs united on preservation, Photo by Michael Perlman

HDC President Daniel Allen, Photo courtesy of Michael Perlman

HDC President Daniel Allen said, “­­­­Over our 50th anniversary year, let’s think back of all that we have done together and all of what’s meant to this city. We all have stories and some documentation. HDC is still collecting, so get in touch with us.” 

CM Ben Kallos, Courtesy of Michael Perlman

Council Member Ben Kallos (5th District, Manhattan), who calls himself “one of the strongest preservationists on City Council,” said “You don’t necessarily know who you’re going to be before you get elected, and when I did, I discovered that I’m a preservationist.” He explained, “You have to keep on going, and the price of preservation and our history is having the HDC and everyone in this room continue to fight for it day in and day out, since all it takes is the wrong person at the wrong place being able to level all the history that our city has.” He continued, “There are not enough preservationists in elected office. For 2021, I am optimistic to elect preservationists to City Council and have people fight for the Landmarks Committee.” 

HDC Executive Director Simeon Bankoff,  Council Member Ben Kallos, HDC President Daniel Allen, Photo by Michael Perlman

He presented a proclamation to the HDC. He stated, “The NYC Council is proud to honor the HDC for 50 years of outstanding service to the community, and whereas HDC is dedicated to preserving historic neighborhoods, buildings, and public spaces across the 5 boroughs, to upholding the integrity of the Landmarks Law, and to further the preservation ethic. Representing a constituency of over 500 community organizations across all 5 boroughs, HDC works directly with people who care about our city’s historic neighborhoods and buildings.” Since 1970, five years after the Landmarks Law was founded, HDC has played a significant role in the creation and preservation of 149 Historic Districts and extensions. 

CM Ben Kallos, Courtesy of Michael Perlman

Rego-Forest Preservation Council, founded in 2006 by this columnist, advocates for landmark status for significant sites in Rego Park, Forest Hills, and nearby Queens communities, and documents local history. Currently, Forest Hills has three official landmarks, Remsen Cemetery (designated 1981), Ridgewood Savings Bank (2000), and Engine 305 & Ladder 151 (2012), but Rego Park has none.

“We look forward to helping Rego-Forest Preservation Council to develop proposals for meritorious sites, which we bring to the Landmarks Preservation Commission and hopefully get designated,” said Simeon Bankoff, executive director of Historic Districts Council. “We are hoping to help organize and better project their knowledge and enthusiasm for the area to a broader audience; not only the public but decision-makers.” 

Simeon Bankoff addresses guests, Photo by Michael Perlman

After naming some altered or demolished properties that HDC fought for, Bankoff stated, “Part of preservation is remembering things that we lost, so we don’t lose things in the future. We cannot forget.” He also cited examples of designations HDC helped obtain such as Sunnyside Gardens and most recently Tin Pan Alley. “Designation is not the end, but just the beginning. We now entered into an eternal compact of making sure that those buildings continue to improve, are use, and preserved.”

Reflecting on the event’s success, Bankoff explained, “It was wonderful to see such a diverse group from all 5 boroughs gathering together to celebrate the work of HDC and community preservation. We saw lots of old friends and met new ones, and best of all were people across the city connecting with sympathetic and like-minded activists.” He pointed out that listening to community board members from the Upper East Side and Crown Heights discussing many shared concerns was a fantastic observation.

Historically, Rego Construction Company acquired land in Forest Hills West and named Rego Park after their advertising slogan “Real Good Homes.” The firm was founded by two natives of Germany; president Henry L. Schloh and secretary and treasurer Charles I. Hausmann in partnership with builder Joseph F. Thone. The firm began by developing 525 eight-room single-family “Rego Homes,” railroad style Colonial frame houses between 63rd Drive and Elliot Avenue along Saunders, Booth, Wetherole, and Austin Street, which sold for an estimated $7,500. 

Three apartment houses accommodating 70 families each followed. They were the Tudor-style Remo Hall at 61-40 Saunders Street (1927) and the Spanish Mission-style Jupiter Court at 62-64 Saunders Street (1927) and Marion Court at 62-98 Saunders Street (1929), which were designed by award-winning architect Benjamin Braunstein, a Constantinople native. Novelty features are recessed facades and courtyards to maximize fresh air, light, and landscaping, once marketed as an advantage over the urbanized city. As a case in point, Marion Court residents experience was personalized with architectural features including terra-cotta reliefs of animals, castles in stained glass, and a roof garden where residents would once recreate. 

Rego-Forest Preservation Council Chair Michael Perlman & Landmarks Preservation Commission Chair Sarah Carroll, Photo by Ron Caveglia

“Now more than ever, preservation is extremely important, as it provides a visual history for younger generations to understand and learn more about our borough’s origins,” said Forest Hills attendee Ron Caveglia. “Seeing a photo or drawing of a decades’ old building is fine, but the physical presence of an original residence, business, or place of worship provides more of an impact for the observer. Attaining landmark status for our local architectural treasures is an excellent, indispensable tool in turning preservation’s goal into a reality.” Commending the HDC, he explained, “I was most excited to learn that Rego Park has been selected to benefit from generous resources ranging from private and public grants to walking tour brochures, landmarking strategies, and public outreach programs. The occasion reached its pinnacle when Queens’ native son Michael Perlman, Chair of Rego-Forest Preservation Council, was recognized for his spirited, dedicated work in furthering local architectural preservation.”

Eric Schreiber of Kew Gardens has followed Six To Celebrate for years, as a supporter of preserving important historic buildings and neighborhoods. He considers Rego Park a bastion of middle-class America and a historic, unique, and diverse community. He explained, “Perhaps the most significant and unique areas would be the Crescents, an upscale enclave featuring tree-lined, curved streets with lovely pre-war single-family homes. Within walking distance of shopping and public transit, it has a vibe that is more suburban than most other parts of the city. The homes feature well-manicured front and back yards.” He continued, “If not landmarked, the possibility exists that developers and new residents, with no interest in the historical significance of the neighborhood, could come in and raze these beautiful homes, forever destroying its character.”

Barbara Ann Rogers came from Prospect Lefferts Gardens, a previous Six To Celebrate community. She said, “Preservation is important for retaining a sense of history and honoring the architecture designed to make spaces livable and accessible to all, but most importantly, it keeps neighborhoods affordable. Preserving Six To Celebrate neighborhoods means preserving our way of life as true New Yorkers, with respect for all.” She expressed her love for Rego Park. “It was built for working class people, but with care and attention to architecture and open spaces that one doesn’t often find any longer. This is what is threatened by overdevelopment.”

The landmarked National Arts Club at the Samuel Tilden mansion