Showing posts with label Memorabilia. Show all posts
Showing posts with label Memorabilia. Show all posts

Monday, March 2, 2020

A Forest Hills Map with A Story To Tell


1926 Forest Hills map by Ernest Clegg for Cord Meyer Development Company, Courtesy of Rego-Forest Preservation Council
In a dusty old box, if we look beyond the surface, there may be more to discover than what meets the eye. With a curious mind, one is bound to encounter a couple of surprises. This is the case with a highly illustrated Forest Hills street map from 1926 in a prospectus for Forest Close, an award-winning Arts & Crafts style village of rowhouses developed that same year by Cord Meyer Development Company. At the time, Forest Hills, which was named by the firm, was only 20 years old, while Rego Park was 3 years old. Cord Meyer’s client was Ernest Clegg (1876 – 1954), a largely respected pictorial cartographer, graphic designer, and calligrapher. Today, he is long-forgotten, but his extensive inventory of artistic maps serves as a testament.

Clegg’s creative illustrations include Forest Close, the West Side Tennis Club Stadium which was three years old, the “new” Forest Hills Theatre on Continental Avenue which opened in 1922, Our Lady Queen of Martyrs two years prior to developing the parochial school building on Austin Street, the Queens Valley Golf Club which would have been located in today’s Kew Gardens Hills. At the time, the Queensboro Bridge and Queens Boulevard had a trolley line, and commuters could either hop on a 30-minute trolley or a 20-minute bus. North of Queens Boulevard, thoroughfares included Yellowstone Avenue (renamed Yellowstone Boulevard), Continental Avenue (now 108th Street), Colonial Avenue (now 110th Street), and Seminole Avenue (now 112th Street). Further north was a proposed park, which would become Flushing Meadows Corona Park, as well as a sketching of Flushing Creek.

One of the cartouches features the original Georgian Colonial style real estate office for Cord Meyer Development, which stood where the Midway Theatre is located. The map also notes the location of other significant sites including the Forest Hills Masonic Temple, which later became Boulevard Bank and Sterling National Bank. Opposite Forest Close and its sister community of Arbor Close were tennis courts on Austin Street, facing the LIRR.

Numerical streets did not exist, but rather alphabetized Atom Street on the east to Zuni Street on the west, perpendicular to Queens Boulevard. A majority of unique streets have been renamed such as Atom Street as 75th Avenue, De Koven Street as 72nd Road, Pilgrim Street as 67th Drive, Sample Street as 66th Road, and Zuni Street as 63rd Drive. Jewel Street has been retained as Jewel Avenue. Some street names are preserved in building names, such as the Kelvin Apartments at 69-40 108th Street and Livingston Apartments at 68-60 108th Street. In other cases, building names based on streets are forgotten such as The Portsmouth at 72-22 Austin Street on Portsmouth Place, reserved for south of Queens Boulevard, now 72nd Road. These three properties are the earliest Cord Meyer apartment buildings standing.

Another category is buildings that pay tribute to street names that were no longer in circulation. A later Cord Meyer building, The Balfour at 112-20 72nd Drive memorializes Balfour Street. Quality & Ruskin Apartments on Yellowstone Boulevard and 108th Street pay tribute to Quality Street known as 67th Road and Ruskin Street as 67th Avenue.

South of Queens Boulevard, the map features Backus Place named after the Backus family farm, one of the major farming families, especially at the time of the Civil War. Further east, Ascan Avenue was retained, and named after farmer Ascan Backus, who was one of the most successful commercial farmers in the northeast. Between those boundaries, heading east, were streets including Herrick Avenue, Shelbourne Place, Continental Avenue, Windsor Place, Roman Avenue, and Portsmouth Place.

Clegg lived a diverse life. He was born in the suburbs of Birmingham in the U.K. and attended King Edward VI Grammar School and the Birmingham School of Art. His work was highly influenced by the Victorian Arts & Crafts Movement. As a calligrapher, he felt inspired by the medieval period’s gilded and illuminated manuscripts. During WWI in 1914, he was commissioned with the 7th Battalion, The Bedfordshire Regiment. Then in 1916, he earned the rank of Major and was a temporary Commanding Officer.

In 1919, he increasingly became well-known as a graphic designer and calligrapher in American and British veteran communities in New York. When he worked with William Edward Rudge, the New York Fine Art publisher, he illustrated and lettered a limited edition of Canadian war poet John McCrae’s “In Flanders Fields.” Another highlight was his illuminated manuscript for the British Princess Royal, Princess Mary on her wedding in 1922. A pictorial map from 1925 in the collection of the Museum of the City of New York features a chronology of part of New York City depicting six locations and buildings of Brooks Brothers since their founding in 1818. Another masterpiece was his Great War Map of Battle Lines in France and Belgium on September 25, 1918, copyrighted in 1926. It was presented by Marshal Sir Douglas Haig to the Old Guard of New York. The insignia of 42 American Divisions which witnessed service is depicted.

In 1928, his large map commemorated aviator Charles Lindbergh’s first independent flight navigating the Atlantic Ocean a year prior, and was published by the New York John Day Company. That same year, he produced a rare jigsaw puzzle map captioned “Firestone reaches around the world to give most miles per dollar,” which features factories and plantation buying offices of Firestone in countries including the United States, Mexico, Russia, China, and Africa.

His pursuits as a yachtsman led him in the direction of creating a series of decorative printed charts that recorded three America’s Cup competitions off Newport in the 1930s. After a request from the British Ambassador, Lord Halifax, he returned to England in 1944, and then began producing decorative County maps. It proved beneficial for the Women’s Land Army Benevolent Fund that offered post-war support for thousands of female volunteers who helped sustain British food production during WWII. Clegg’s Kent: Battle of Britain, 1940 – 1941 pictorial map was among many other highly recognized accomplishments.

Friday, September 30, 2016

Forest Hills Tennis Archive, Library, & Maybe A Museum?


Reminiscing & Building Tennis History in Forest Hills


by Michael Perlman, Historian, Preservationist, Author

The stately Tudor style Clubhouse
Forest Hills Tennis Stadium: First in America
Significant achievements in recent West Side Tennis Club (WSTC) history include the comeback of world-class concerts in 2013 and pro tennis in 2016, and now the club is considering the development of a public tennis library and archive, and perhaps a museum on the property.

On August 27, 2016, the historic clubhouse became the grounds of a seminar and dinner, where national and international members of Tennis Collectors of America (TCA) and WSTC members gathered to help shape the future of the club. A day earlier, the club hosted a tennis antiques trade show.


Vintage tennis publications on display
The TCA, a non-profit, was founded in 2003 to promote tennis collecting and tennis history through the TCA website, published media, and an annual meeting at varying locations throughout America. The seminar was attended by WSTC members. It featured a WSTC history slide show by 45-year member and chair of the archives committee member Bea Hunt, plans for the tennis history library by Alan Edelman, and memories of the US Open among tournaments by panelists Linna Hunt, Nancy Crabill, Ray Fitzmartin, and Jim Sheridan, and moderator Jack Leibler (past WSTC president). Edelman and B. Hunt both joined TCA last year. 


Memories committee panelists: Linna Hunt, Nancy Crabill, Ray Fitzmartin, Jack Leibler, Jim Sheridan
TCA & WSTC members gather
The WSTC was founded in 1892 on Manhattan’s West Side, and leased land at Central Park West and 89th Street, Amsterdam Avenue and 117th Street, and Broadway and 238th Street before calling Forest Hills home in 1913 and developing America’s first tennis stadium in 1923. Bea Hunt explained, “Originally, there were 13 charter members, who organized our club as a men’s tennis club, but that same year, we held our first club championship for men and women. By the end of our first season, we had 5 tennis courts and 43 members.”


Forest Hills Tennis Stadium as "America's Tennis Stadium" - MIT's The Technology Review, November 1922
Today, Forest Hills offers a stately Tudor clubhouse designed by Grosvenor Atterbury, but attendees were hard-pressed to learn that the first clubhouse was a shanty with cold showers. Hunt emphasized how far the club has come, and said, “In 124 years, Angela Martin is our first woman president, but I am disappointed to say that we didn’t have one earlier.” Throughout its history, numerous pivotal moments included the Wightman Cup featuring the first international team match for women on the stadium’s opening day, breaking racial color barriers when Althea Gibson became the first African American to win a US national tennis title in 1957, and the birth of the US Open, where Billie Jean King played the first “open” match in 1968.


Alan S Edelman addressing his audience 
Baltimore resident Alan Edelman is much of an inspiration to the WSTC and largely a reason for their expansion plans, as well as WSTC member James Wilson. Nearly two years ago, Edelman was seeking a New York venue to play tennis, visited the WSTC, and met Wilson. He reminisced, “One of the first things I was told, which was shocking, was that West Side doesn’t have much of an archive. I consider this the most important tennis institution in the United States, and I really couldn’t believe they wanted my collectibles.” That consisted of over 500 magazines featuring WSTC history from 1953 until the late 1980s.


Time capsule: WSTC tin   
The site of pivotal moments!
Wilson suggested that they create a public archive extending beyond the club’s membership. Edelman said, “It became apparent that most institutions don’t have archives. If we can accumulate an encyclopedic history of all of tennis, it will be a very important thing for the tennis world.”


Bea Hunt with Alan S Edelman
Part of the archive will document members’ memories. During the US Open, Nancy Crabill escorted players to center court from 1975 to 1977 and carried male player racquets, which she called glamorous, but there was one time she escorted female players. She said, “Jimmy Connors approached me and asked if I was going to escort Chris Evert onto court. He asked if I would give her a message (although they were not together then), and said to tell her that I love her and wish her luck.”

During the US Open, Linna Hunt once sold tennis merchandise in the pro shop under the stadium and distributed passes to tennis players. She recalled her experience with Patricio Cornejo, a Chilean tennis player who made it to the men's doubles finals in 1974. “On the day of the tournament, his favorite racquet was still being strung and he told me to please bring it out, even if the game was starting. I was shy in front of an audience, but ran out, gave him his racquet and got a standing ovation. That was the high point in my tennis life.”

Jim Sheridan, now an honorary member and consultant to the club, has been a familiar face at the WSTC for 52 years. In 2014, he was presented with a plaque in recognition of his dedicated service as assistant through head groundskeeper, which was built on the legacy of his father Owen Sheridan, who began tending the grounds in 1932. Sheridan reminisced The Beatles concert in 1964, when they landed in a helicopter. “No one thought about the wind screen, and it blew the fences down,” he said. Fans throwing jelly beans at Ringo was a common sight. “There was grass at that time at the stadium, and jelly beans were stuck in the grass for some time since it rained.”

Ray Fitzmartin worked the US Open for nearly 50 years, officiating various matches and tournaments. “As an umpire in Forest Hills, we had to show up at 9 AM every day. If the match ran 3 hours, you had to stay that long with no bathroom breaks. You had to wear a blazer and a long sleeve shirt and tie, no matter what the weather was.” In contrast to the US Open in Flushing Meadows, he said, “Here the atmosphere was warm, and players would ask if they could join you for lunch or dinner.”


Jim Sheridan signing "Legendary Locals of Forest Hills & Rego Park" by Michael H Perlman for TCA President Becky Desmond
WSTC Foundation President Roland Meier addressing the dinner party
After the seminar, TCA members further expressed their support for an archive. President Becky Desmond, a founding member who resides in Downingtown, PA, has been teaching tennis since 1967. One of her earliest collectibles took a creative spin, when she acquired a tennis motif button depicting two Edwardian ladies on each side of the net with a dog, and transformed it into a ring while maintaining its integrity.

Desmond said, “I look forward in seeing how the TCA can help the WSTC, and it’s wonderful that this venture will take place on the historic site and memorabilia will not be locked up in a closet somewhere.” She may even donate her 1970s era personal photos of Chris Evert and Jimmy Connors walking the grounds, and another of Connors and Ilie Năstase cleaning the lines on court after the rain.


Michael Perlman & Jeanne Cherry: Two authors come together
Santa Monica, CA resident Jeanne Cherry, another TCA founder, is the author of “Tennis Antiques & Collectibles.” “I searched for books on tennis memorabilia, but after finding none, decided to write the first book on this topic,” she said. Her tennis collection consists of everything from trophies and paintings to letters to and from players and greater than 600 racquets. Eyeing the future, she said, “I am writing a pictorial biography of Helen Wills, who won the women’s singles national championships at Forest Hills seven times in the 1920s and 1930s, and I will be glad to donate a copy.”


Archives committee chair Bea Hunt, WSTC President Angela Martin, WSTC Foundation President Roland Meier, TCA President Becky Desmond, Photo by Michael Perlman


Caitlyn & Elise Carpenter host WSTC trivia
At the dinner, the youngest attendees were two sisters, 11-year-old Caitlyn and 10-year-old Elise Carpenter of Mamaroneck, who have been playing tennis for 7 years and volunteered to become speakers for 2 rounds of WSTC tennis history trivia. “If you bring forward a sport, you need to preserve its origins, so you can learn from it,” said Caitlyn. Elise then added, “I thought it was really cool how they got everyone to put out their antiques for others to see.” Both sisters expressed interest in becoming TCA members someday by saying “yes” with a smile.



Step into the future of the WSTC, beginning with the Clubhouse's Hall of Fame

Tennis memorabilia display
WSTC Certificate of Subscription toward the Stadium, July 20, 1923


1931 & 1923 Lawn Tennis magazines 
1935 & 1968 tennis publications



WSTC Centennial plate, 1892 - 1992


Wednesday, July 4, 2012

4th of July: Forest Hills Edition

4th of July 1917, Station Square costume dance
This is Michael Perlman's article, "4th of July: Forest Hills Edition," published in the Forest Hills Times/Queens Ledger on July 4, 2012. Please feel free to comment & share:
http://www.queensledger.com/view/full_story/19208316/article-4th-of-July--Forest-Hills-Edition

Patriotism and tradition echo in Forest Hills. In recent times, on the weekend following Memorial Day, Forest Hills Gardens organizes a celebration known as Children’s Day at Flagpole Green, which features decorations, face painting, cotton candy, hot dogs, raffles, and games.

Historically, music has played a significant role in Forest Hills Gardens celebrations, so attendees can expect to rejoice to the sounds of John Philip Sousa, a late American composer, who is noted for his patriotic and military marches.

Stepping back in time, Forest Hills Gardens witnessed the light of very elaborate 4th of July commemorations on the actual date. The teens are nearly a century ago, so let’s place our modern minds into the shoes our ancestors walked, and stand in the footsteps of triumph in our country’s earliest planned garden community. Station Square, Village Green, and Olivia Park were classic sites of rich tradition, and exist in a pristine state to this very day.




July 4, 1914 marked the Gardens’ first annual Independence Day celebration. Since the population of the community was minimal, and Forest Hills at large was a small town, the first celebration was noted for its camaraderie.

Greenway Terrace became an al fresco dancing pavilion, which signified the first step of solidarity. A highlight of the second celebration in 1915 was the Pageant of Colonial Times in Station Square, the dedication of the Piping Pan bird fountain (cherub blowing a flute) in Olivia Park with Baroness von Rottenthall’s interpretative dancing, and the Fourth of July Committee’s acquisition of a silver cup for annual tennis matches, which began that year.


 The Forest Hills Gardens Bulletin defined the success of teamwork through organizations and residents in 1916, which read, “The Fourth of July Celebration at the Gardens is primarily, yes wholly, a community affair. It is the people’s day – a memorial of the first great test of unity in this country, and it is interpreted here in the Gardens as an expression of organized community effort.”

That same year, attendees participated in the dedication of a 108-foot flagpole on Village Green, with an inscribed bronze collar at the base. The official flag of the Forest Hills Gardens was first to be raised on the 4th of July.


An allegory called The Happy Stranger was presented in the natural amphitheater-style Olivia Park. The Red Cross Society generated proceeds by selling ice cream, Cracker Jacks, lemonade, peanuts, popcorn, and lollipops under the Square’s archways.



 In great anticipation, Gardens residents decorated their homes, and the Committee on Decorations and Illuminations applied their touch to Station Square and Village Green. The iconic Forest Hills Inn offered special menus and decorations. The Inn’s Tea Garden was boasted as a particular attraction, since children of the entire community were treated as guests to a party of their own.



 One of Forest Hills’ most notable 4th of July moments took place atop the steps of Station Square’s Long Island Railroad Station in 1917, where onlookers heard Colonel Theodore Roosevelt’s One-Hundred Percent American Speech. He pleaded for allegiance to the America of Washington and Lincoln, and thousands cheered in response.



A miniature Greek temple was erected in Olivia Park, which functioned as a stage setting for attendees witnessing the light of Ralph Renaud’s The Masque of Liberty.




A 1918 highlight was U.S. Senator Calder’s speech in Station Square. That year had a more sacred feel, since wounded soldiers and sailors of WWI were honored over dinner at the Church-In-The-Gardens. Students of Louis Chalif’s famed dance school performed in Olivia Park.




 The success of the U.S. and her allies played a pivotal role in the 1919 commemoration. An excerpt from the Forest Hills Gardens Bulletin captured the spirit.

“Nothing was more impressive than the raising of the Flag by a member of the old Rifle Corps while the people assembled sang the Star-Spangled Banner, and nothing was more skillfully done than the reading of the Independence Day Proclamation of the Citizens by the Town Crier, Harvey Warren, in old New England costume. Captain Horace F. Pomeroy, chairman of the celebration committee, spoke of the history of the old Rifle Club – the first military organization of Forest Hills – and then introduced the Rev. Rowland S. Nichols, Chaplain of the Rifle Club who spoke briefly and offered prayer.”

The Forest Hills Rifle Club was the first case of loyalty locally, and its revival for the celebration was integral.

Beginning at 9:30 a.m., Village Green hosted flag-raising exercises, the Community Chorus sang patriotic airs, and the Rifle Club reunion took place. Station Square hosted political addresses at 11 a.m. Tennis matches took place at the Forest Hills Inn Courts at 12:30 p.m., which featured the Inns vs. the Outs. The Inns lived in the Forest Hills Inn, and the Outs lived throughout the Forest Hills Gardens.


At 1 p.m., attendees enjoyed children’s games, as well as the French Doll Dance, where female dancers were assisted by the Boy Scouts. Games included yard dashes for children, grand tilting matches for parents, a kiddie car race, a paper fight, a sack race, a baby carriage race for fathers, a pillow fight, an optic contest for adults, a half-mile relay, and dressing and obstacle races.

At 4:30 p.m., The Golden Day allegory by Ralph Renaud took stage at Olivia Park, where locals and talented students of the Chalif Normal School of Dancing performed in a sylvan setting. The play featured the harmonious Butterfly Dance, The Dances of The Summer Nocturne, and The Song of The Birds. The setting was complemented by an orchestra of strings and a vocal interlude.

At 7:30 p.m., under incandescent lights and electric streamers with flags and pennants, nearly 3,000 attendees would enjoy the 9th Coast Artillery Band Concert in Station Square, followed by the flamboyant Costume Dance at 8:30 p.m. Popular costumes were the Pierrot, Pierrette and Yama Yama.

Artists designed highly stylized 4th of July posters annually. Herman Rountree’s 1916 poster depicted a clown and a mule with astonished children in period clothing in the backdrop. It read, “Yes Mule – It’s The Greatest Show on Earth.”



B. Hooper’s “Coming July 4th” poster from 1916 depicted a clown-like child rejoicing on a circus elephant bearing a humanly expression of wisdom and holding high a 4th of July flag.

Rountree’s 1917 poster depicted the Forest Hills Inn and Station Square as the backdrop of Village Green, where bystanders witnessed the raising of the flag. That same year, another one of Rountree’s posters captured the masquerade feel of Station Square with the train station in the backdrop. On various levels of creativity, beauty was indeed in the detail!



A typical celebration called for glorious expression, as in the case of Gertrude Knevels’ Station Square – A Fourth Of July Impression, which read:

Old Glory from the Tower looks down. 
To bless the folly of the town,
Lights, laughter, color everywhere –
Wise folks like happy children there,
At play in Station Square.
Far over all the clear night sky
Spreads tender hands – What hurries by? – 
It is the train that grumbling goes,
Bearing the world and all its woes
Away from Station Square!

Sunday, January 1, 2012

To A Happy 2012... But Not Without Glimpses of Forest Hills A Century Ago


HAPPY NEW YEAR to all my Rego-Forest Preservation Council members & friends, friends' friends, & their families!!! Oops, I am 100 years too early......

Let's countdown to 2012, a year of health, happiness, and advocacy for the historic preservation & conservation of Rego Park, Forest Hills, and adjacent neighborhoods, and the hopes of many history-related events and a tree giveaway to come.

 These photos are on display at Nick's Pizza at 108-26 Ascan Ave, & capture the feel of Forest Hills in the early 20th century... A window to our past! Thankfully, our fine craftsmanship and green landscapes have not changed much in some sections of our neighborhood.


An audience of children pose in a public space in Forest Hills, presumably in the auditorium of Public School 3. Note the early 20th century fashions.

A classic out front of "small town feel" rowhouses

The residents of Forest Hills were fortunate to have a trolley line among the dirt roads of Queens Blvd. Hop on & journey back in time!

Snowy Queens Blvd when it was less civilized, & offered a field perspective towards the Forest Hills Inn of the Forest Hills Gardens.

Based in the Cord Meyer Section, Public School No. 3 was Forest Hills' 1st elementary school, & today it is known as PS 303. It was also known as the Little Red Schoolhouse.

East side of Continental Ave towards Austin St & Queens Blvd. Spotlight on the Forest Hills Theatre, which was our first theater, which witnessed silent films & the advent of talkies. This early 20's theater had an organ too! Today it is more predictable as Duane Reade & Staples. In the foreground is a wood & brick Tudor style business building. It was one of the first buildings to grace Austin St, circa 1910. It housed Garcia Grande Cigars & Sporting Goods in this image.
The Continental Garage & Service Station was conveniently situated just west of Continental Ave, serving motorists on Queens Blvd. It housed a Texaco shop. Note how garages & gas stations were embellished in Colonial design, & how the medians of Queens Blvd had tasteful stonework. Lane Towers sits at this site today.

Pennsylvania Drug Company was a famous community pharmacy which offered a soda fountain, a commonality of the times. Note the Tudor feel of what was called Forest Hills Village, at the foot of the south side of Queens Blvd & Continental Ave. Today, the building on the right proudly stands, but sadly the charmer on the left is now home to the mundane black glass Cord Meyer office tower.
1 Continental Avenue Building, a Tudor commercial & residential gem at the entryway to what was known as Forest Hills Village, on the SW corner of Continental Ave & Queens Blvd in 1936.

Forest Hills Inn at Station Square, Forest Hills Gardens. Celebrities & tourists would stay at the Inn, which could conveniently be accessed by the classic Pennsylvania Station. Many postcards and ads boasted that it was 15 mins to Manhattan. The Davis Cup, Wightman Cup, & US Open were played at the nearby Forest Hills Tennis Stadium, which boosted profits at the Inn. Today the Forest Hills Inn houses apartments.

Sage Foundation Home Company truck - In the teens, it was praised how admirable a planned community, the Forest Hills Gardens (1909) becomes, when it's designed on the principles of an architect and a gardener working in harmony.

Greenway Terrace, Forest Hills Gardens
East side of Continental Ave between Austin St & Burns St. On the left is the 20s era Corn Exchange Bank, & the right is a route to the Forest Hills LIRR train station, based in the Forest Hills Gardens.
Man & his best friend in a Forest Hills park