Showing posts with label Forest Close. Show all posts
Showing posts with label Forest Close. Show all posts

Monday, March 2, 2020

A Forest Hills Map with A Story To Tell


1926 Forest Hills map by Ernest Clegg for Cord Meyer Development Company, Courtesy of Rego-Forest Preservation Council
In a dusty old box, if we look beyond the surface, there may be more to discover than what meets the eye. With a curious mind, one is bound to encounter a couple of surprises. This is the case with a highly illustrated Forest Hills street map from 1926 in a prospectus for Forest Close, an award-winning Arts & Crafts style village of rowhouses developed that same year by Cord Meyer Development Company. At the time, Forest Hills, which was named by the firm, was only 20 years old, while Rego Park was 3 years old. Cord Meyer’s client was Ernest Clegg (1876 – 1954), a largely respected pictorial cartographer, graphic designer, and calligrapher. Today, he is long-forgotten, but his extensive inventory of artistic maps serves as a testament.

Clegg’s creative illustrations include Forest Close, the West Side Tennis Club Stadium which was three years old, the “new” Forest Hills Theatre on Continental Avenue which opened in 1922, Our Lady Queen of Martyrs two years prior to developing the parochial school building on Austin Street, the Queens Valley Golf Club which would have been located in today’s Kew Gardens Hills. At the time, the Queensboro Bridge and Queens Boulevard had a trolley line, and commuters could either hop on a 30-minute trolley or a 20-minute bus. North of Queens Boulevard, thoroughfares included Yellowstone Avenue (renamed Yellowstone Boulevard), Continental Avenue (now 108th Street), Colonial Avenue (now 110th Street), and Seminole Avenue (now 112th Street). Further north was a proposed park, which would become Flushing Meadows Corona Park, as well as a sketching of Flushing Creek.

One of the cartouches features the original Georgian Colonial style real estate office for Cord Meyer Development, which stood where the Midway Theatre is located. The map also notes the location of other significant sites including the Forest Hills Masonic Temple, which later became Boulevard Bank and Sterling National Bank. Opposite Forest Close and its sister community of Arbor Close were tennis courts on Austin Street, facing the LIRR.

Numerical streets did not exist, but rather alphabetized Atom Street on the east to Zuni Street on the west, perpendicular to Queens Boulevard. A majority of unique streets have been renamed such as Atom Street as 75th Avenue, De Koven Street as 72nd Road, Pilgrim Street as 67th Drive, Sample Street as 66th Road, and Zuni Street as 63rd Drive. Jewel Street has been retained as Jewel Avenue. Some street names are preserved in building names, such as the Kelvin Apartments at 69-40 108th Street and Livingston Apartments at 68-60 108th Street. In other cases, building names based on streets are forgotten such as The Portsmouth at 72-22 Austin Street on Portsmouth Place, reserved for south of Queens Boulevard, now 72nd Road. These three properties are the earliest Cord Meyer apartment buildings standing.

Another category is buildings that pay tribute to street names that were no longer in circulation. A later Cord Meyer building, The Balfour at 112-20 72nd Drive memorializes Balfour Street. Quality & Ruskin Apartments on Yellowstone Boulevard and 108th Street pay tribute to Quality Street known as 67th Road and Ruskin Street as 67th Avenue.

South of Queens Boulevard, the map features Backus Place named after the Backus family farm, one of the major farming families, especially at the time of the Civil War. Further east, Ascan Avenue was retained, and named after farmer Ascan Backus, who was one of the most successful commercial farmers in the northeast. Between those boundaries, heading east, were streets including Herrick Avenue, Shelbourne Place, Continental Avenue, Windsor Place, Roman Avenue, and Portsmouth Place.

Clegg lived a diverse life. He was born in the suburbs of Birmingham in the U.K. and attended King Edward VI Grammar School and the Birmingham School of Art. His work was highly influenced by the Victorian Arts & Crafts Movement. As a calligrapher, he felt inspired by the medieval period’s gilded and illuminated manuscripts. During WWI in 1914, he was commissioned with the 7th Battalion, The Bedfordshire Regiment. Then in 1916, he earned the rank of Major and was a temporary Commanding Officer.

In 1919, he increasingly became well-known as a graphic designer and calligrapher in American and British veteran communities in New York. When he worked with William Edward Rudge, the New York Fine Art publisher, he illustrated and lettered a limited edition of Canadian war poet John McCrae’s “In Flanders Fields.” Another highlight was his illuminated manuscript for the British Princess Royal, Princess Mary on her wedding in 1922. A pictorial map from 1925 in the collection of the Museum of the City of New York features a chronology of part of New York City depicting six locations and buildings of Brooks Brothers since their founding in 1818. Another masterpiece was his Great War Map of Battle Lines in France and Belgium on September 25, 1918, copyrighted in 1926. It was presented by Marshal Sir Douglas Haig to the Old Guard of New York. The insignia of 42 American Divisions which witnessed service is depicted.

In 1928, his large map commemorated aviator Charles Lindbergh’s first independent flight navigating the Atlantic Ocean a year prior, and was published by the New York John Day Company. That same year, he produced a rare jigsaw puzzle map captioned “Firestone reaches around the world to give most miles per dollar,” which features factories and plantation buying offices of Firestone in countries including the United States, Mexico, Russia, China, and Africa.

His pursuits as a yachtsman led him in the direction of creating a series of decorative printed charts that recorded three America’s Cup competitions off Newport in the 1930s. After a request from the British Ambassador, Lord Halifax, he returned to England in 1944, and then began producing decorative County maps. It proved beneficial for the Women’s Land Army Benevolent Fund that offered post-war support for thousands of female volunteers who helped sustain British food production during WWII. Clegg’s Kent: Battle of Britain, 1940 – 1941 pictorial map was among many other highly recognized accomplishments.

Thursday, June 19, 2014

Touring Forest Close & the Forest Hills Gardens with Architectural Historian Barry Lewis

By Michael Perlman, Rego-Forest Preservation Council Chair & Forest Hills Times Columnist






On a warm Saturday morning, nearly 40 residents of Forest Hills and other communities gathered in Station Square, to begin their weekend with a tour of the Forest Hills Gardens and Forest Close. Many anticipated their first encounter with notable architectural historian Barry Lewis, who conducted historic NYC tours, televised on Channel Thirteen, and wrote the book, “Kew Gardens: Urban Village in the Big City.”

This tour was made possible by the Historic Districts Council, NYC’s largest citywide preservation advocate. It is part of the non-profit’s “Six To Celebrate,” where the HDC will offer tours of the neighborhoods which encompass the six preservation-worthy selections of 2014 between June and October. HDC Preservation Associate Barbara Zay explained, “These tours serve to highlight neighborhoods that many New Yorkers are unaware of, and in places that are more heavily trodden, to shine a light on unknown aspect of their history or built environment.”



The Forest Close Association nominated Forest Close, an assemblage of rowhouses designed in 1927 by Robert Tappan, a client of Cord Meyer Development Company. It is bounded by 75th Road, 76th Avenue, and Austin Street. Zay explained, “The HDC seeks to raise awareness of this delightful neo-Tudor enclave and explore opportunities to further protect it for future generations. The Association is concerned about new developments and real estate projects in its surrounding neighborhood that could threaten the Close’s sense of place.”






“Town home living in Forest Close and nearby Arbor Close allows for gardening, outdoor dining, or winter reading by the fireplace,” said Forest Close resident Elisa Barsoum Losada. “Each home has a private patio overlooking a shared common green space and has doorbells on the patio and front doors. These features encourage a sense of community, and allow neighbors to live and work together throughout the seasons.”

“Contemporary architects and developers can take a lesson from the design of Forest Close,” said Joanne Wasti, who opened her home and served fine cookies and lemonade. She explained, “As people become more aware of their carbon footprint and green design, Forest Close is an example of a design emphasizing community and away from the car culture. The shared garden area also helps with run-off and cools our homes in the summer.”

The Association maintains a covenant which regulates changes to its architecture and open space, similar to the Forest Hills Gardens Corporation, which upholds restrictive covenants governing the Forest Hills Gardens.



Established in 1909, the Gardens is America’s earliest planned garden community. It originated when the Russell Sage Foundation purchased land from the Cord Meyer Development Company, and Principal Architect Grosvenor Atterbury and Landscape Architect Frederick Law Olmsted, Jr. developed what would become an internationally recognized model of urban planning. Tudor and Arts & Crafts mansions, a few apartment houses, the Forest Hills Inn, religious institutions, and outdoor and indoor recreational features can be found.

Barry Lewis highlighted the community’s history and clever design principles. Station Square was conceived as a town center, which merges residential space with an inn, shops, and the LIRR station. Lewis explained, “Atterbury’s walkway system around Station Square is brilliant. He figured, ‘Why should people staying at the Inn have to schlep their luggage outside?’ He created over the street bridges and a walkway system that goes through the buildings.” He continued, “This is urban thinking. Not suburban thinking. It’s about civilizing the city’s way to live in the industrial era.”







Lewis glanced across the way at The Inn Apartments (separate from the Inn) and pointed at the oversized casement windows. He said, “These architects understood that modern people wanted light and air in their apartments. The waffling allows for a multiple exposure.” He continued, “There was a feeling of security and coziness using distressed brick over fieldstone, which gives a rugged feeling of civility.”

Addressing front lawns of homes, Lewis pointed out that most are not fenced in, which can be attributed to covenants. “You would get off the train from NY, where everything follows a grid street system and felt claustrophobic, but here you would have a feeling of openness,” he said.

Every community faces some controversy over development. Lewis addressed the last lot to be developed, which is where The Leslie apartments stands. The site was formerly the Russell Sage Foundation’s sales office and the Austin Hanks house, where the lone surviving family member refused to sell for redevelopment’s sake. Not long after she died, The Leslie was completed in 1942.

The Leslie’s advantages were sunken living rooms, artist studio windows, social rooms, and indoor and outdoor play areas. Additionally, he stated, “An entire city block is completely surrounded by gardens. This was a template for some white brick apartment buildings of the post-war period such as the Manhattan House.”

The Community House
Another stop was Atterbury’s 1926 Community House, which contains a theater, a social hall, and basketball courts. Lewis said, “There was room for everybody. It was very common in a quality community development to have a clubhouse.” He related it to garden communities of Jackson Heights and Kew Gardens. Other historic sites that Lewis featured were the West Side Tennis Club, the Church-in-the-Gardens, the Tea Garden, Hawthorne Park, PS 101, and the Holland House just beyond the Forest Hills Gardens.

The Church-In-The-Gardens


“Protecting places such as the Forest Hills Gardens and Forest Close is important, for it is part of the fabric of New York City,” said Elmhurst resident Helen Chin. “It is unique not just terms of community, but in architecture, design, and urban planning. What was incredible is how soothing and nurturing the environment was.”

A similar version of this feature was published in Michael Perlman's Forest Hills Times column: http://foresthillstimes.com/view/full_story/25273891/article-Closer-look-at-two-significant-neighborhoods