Showing posts with label Frampton Tolbert. Show all posts
Showing posts with label Frampton Tolbert. Show all posts

Thursday, April 12, 2018

Preservation Call For Local Bank Buildings

Local Banks Offer A “Rich” Architectural History
by Michael Perlman

Between the 1939 World’s Fair and 1964 World’s Fair, local communities such as Forest Hills, Rego Park, and Kew Gardens Hills experienced much growth in development, marked by architectural achievements. Now it is time to have a look at noteworthy examples of banks, ranging from traditional Colonial to Classical Moderne and Modernist styles, which offered a sense of permanence. Some have remained banks, while others have been repurposed.

“These banks tell the story of Queens as a rapidly growing borough in the mid-20th century, and the architects of these branches who were among the most prominent designers of bank institutions in New York City at the time,” said Frampton Tolbert, architectural historian and creator of the Queens Modern project. “Bank companies including Ridgewood Savings Bank, Queens County Savings Bank, and Long Island City Savings Bank were among the first companies opening in the neighborhood, looking to provide much-needed services to the influx of new residents.” Many were also situated along Queens Boulevard a short distance away from recently expanded subway lines. “These were especially an opportunity for a show-stopping design such as the Metropolitan Industrial Bank,” said Tolbert. 

Queens County Savings Bank resembling Independence Hall, Kew Gardens Hills, 1954
It is rare opportunity to encounter a nearly faithful replica of Independence Hall in Kew Gardens Hills. The Georgian Colonial style Queens County Savings Bank at 75-44 Main Street, designed by architect Harold O. Carlson, was the recipient of a 1st prize bronze plaque by the Queens Chamber of Commerce in 1954. Rising from its gabled wings is a 100-foot tower featuring clocks, a cupola, and a weathervane that continues to mark the community’s highest point. The foyer includes a replica of the Liberty Bell, and the banking hall is graced with paintings such as the Signers of the Declaration of Independence and Washington Crossing the Delaware. In 2005, the bank was placed on the National Register of Historic Places, and commemorated in a 2006 ceremony led by Queens Historian Jeff Gottlieb and banking and elected officials.

Linda Fisher, a licensed tour guide with the Guides Association of NYC explained, “Banks were designed to evoke feelings of confidence and stability, and this would account for Classical elements such as columns. This would have roots in Ancient Rome, where the Maison Carrée served as the model for government buildings, and although bank buildings are owned by private institutions, the architecture imbues the principles of solidity and democratic ideals.” 

Tower Diner, formerly Emigrant Savings Bank, Photo by Michael Perlman
Tower Diner has been enticing palates since 1993 at 98-95 Queens Boulevard in Forest Hills, but originated as City Savings and Loan Association in the mid-1960s, prior to merging with Emigrant Savings Bank. The Colonial façade’s clock tower and pitched roof with columns and cornice detail continue to offer a stately presence amidst traffic. 

Long Island City Savings Bank, Rego Park, 1952
The Colonial-style Long Island City Savings Bank at 97-27 Queens Boulevard in Rego Park was designed by Halsey, McCormack & Helmer, and was awarded during the 1952 Building Awards Competition by the Queens Chamber of Commerce. Notable features include a granite base with piers of face brick and Alabama limestone trim and coping, tall windows, and roundels. High ceilings with moldings and a spacious ambiance once added to the charm. The bank closed in the early 1990s, and today has been subdivided for a pharmacy and Tiger Schulmann's Karate. 

Metropolitan Industrial Bank, Forest Hills, 1952
Bank of America, which recently underwent a conversion for Mount Sinai Doctors at 99-01 Queens Boulevard in Forest Hills, opened in 1952 as the Metropolitan Industrial Bank, a Modernist building with industrial materials, which was considered revolutionary at a time of more traditional bank styles. Notable artist Dara Birnbaum, daughter of the late award-winning architect Philip Birnbaum, who was raised around the corner in Birnbaum’s Howard Apartments, said, “I thought it was a real winner, and it did win a 1st prize award by the Queens Chamber of Commerce, as it certainly was more than deserving. In fact, it was one of the jewels of my father's designs through the years.” Striking features include triple-height windows and a colonnade of Swedish granite and stainless steel fins that meet a rotunda entrance with curved glass. Although low-rise partitions have been installed, and the 22’ x 25’ mural commemorating Forest Hills’ growth is long-gone, the streamlined teakwood balcony and a whimsical terrazzo floor are retained. 

Ridgewood Savings Bank, Forest Hills, 1940
Shortly after the three-story Classical Moderne Ridgewood Savings Bank, designed by Halsey, McCormack & Helmer, opened in 1940 on a landscaped triangular plot at 107-55 Queens Boulevard in Forest Hills, it also won a first prize award. The convex and concave Alabama Rockwood stone façade includes flat eagles, bronze windows, streamlined and wave-like incised designs, and Moderne clocks. Entering the banking hall, Art Deco fixtures are suspended over a streamlined ceiling designed by famed muralist Angelo Magnanti, and travertine floors exist alongside buff pink Mansota stone walls on a wainscot of polished Rosato D’Or marble carried onto the counters.

As neighborhoods are undergoing development, many residents are realizing the value in buildings that offer historic character. Tolbert explained, “These are the neighborhood landmarks that create a unique sense of place, but only the Ridgewood Savings Bank is currently landmarked (designated in 2000). With changes along Queens Boulevard, others may disappear, so we must preserve our history while we still can, as it is a key piece of how our borough developed into the Queens we know today.” 

On May 6 at 1 PM, architectural historian & Queens Modern project creator Frampton Tolbert will offer a free tour, “Jane's Walk of Forest Hills and Rego Park Modern,” which will begin at MacDonald Park (Queens Blvd & 70th Ave), and stops will include several local banks. For more information, contact info@queensmodern.com  

A similar version of the above feature appears in Michael Perlman's Forest Hills Times column: www.foresthillstimes.com/view/full_story/27560597/article-Local-banks-offer-rich-architectural-history

Wednesday, February 11, 2015

Rediscovering Modernism in Queens - A Call for Preservation!


1st prize winner Metropolitan Industrial Bank, now Bank of America, 99-01 Queens Blvd, Photo by Michael Perlman

By Michael Perlman


The Queens Modern project is commemorating and exploring the appeal and significance of mid-century modern architecture in Queens, which often goes unappreciated.

Last year, Brooklyn resident and historic preservationist Frampton Tolbert, former deputy director of the Historic Districts Council, received an independent project grant from the state Council on the Arts for the endeavor, which can be found at queensmodern.com.

It is questionable as to why modern architecture in Queens and citywide is largely unrecognized and lacking of landmark designations, when in fact a minimal requirement for a landmarked site is to be 30 years old.

“There are many possible reasons, including that Queens architecture in general is considered less significant than architecture in other boroughs,” said Tolbert. “Part of this project is an effort to change that.”

Another goal is to showcase an array of forgotten and untold stories behind the development of noteworthy modern buildings, which will include everything from developers such as Alfred Kaskel to architects like Simeon Heller to owners, including the Leo F. Kearns family.

Tolbert considers Queens Modern a natural evolution of his popular blog, midcenturymundane.com. He currently serves as the director of development and communications at the Center for Urban Pedagogy, and sits on the boards of Victorian Society New York and the Recent Past Preservation Network.

The Queens Chamber of Commerce is known for its annual building awards, which encourages and recognizes creative development. Queens Modern chronicles the period of 1948 to 1970, when the chamber honored approximately 400 Queens buildings. Tolbert's mission is to personally survey all sites.

Currently, Queens Modern features 150 of the projects, but Tolbert plans to spotlight all the award-winners from this period, in addition to other sites from the era.

“I've discovered so many unique threads and stories, and really have scratched the surface,” Tolbert said. “In my mind, the height of design and development was the 1950s and 1960s.”

He pinpointed classic examples of modernism such as the Leslie Apartments (1948) at 150 Greenway Terrace in the Forest Hills Gardens; the Metropolitan Industrial Bank (1952), now known as Bank of America at 99-01 Queens Boulevard in Forest Hills; the former Scandinavian Airlines System building (1955) at 138-02 Queens Boulevard in Jamaica; and Barkin, Levin & Co. (1958) at 12-12 33rd Avenue in Long Island City.

“I am very intrigued by the Metropolitan Industrial Bank, which is very unlike architect Philip Birnbaum's other works, which tended to be large brick apartment buildings for the middle and upper class,” said Tolbert. “I feel the idea that this was a showcase of modern industrial materials needs to be explored further.”

For Tolbert, conducting research is a work in progress, and his site will continue to grow. He said, “I've discovered so many unique threads and stories, and really have scratched the surface.” He continued, “I look forward to highlighting more information about prolific but largely unknown architects, such as John O'Malley and Raymond Irrera, examining development trends like the increase in Catholic church construction, as well as discussing how major working and middle class housing developments including Lefrak City, Electchester, and Glen Oaks Village came about.” 

 Furthering the mission of Queens Modern, he said, “I would like to convene a panel of speakers to discuss modernism in Queens and New York City in general. I also hope to coordinate an event including an exhibit at the Queens Chamber of Commerce.”

A similar version of this feature appears in the Forest Hills Times: 

http://www.foresthillstimes.com/view/full_story/26461873/article-Rediscovering-Modernism-in-Queens