Wednesday, March 27, 2013

Personalization Spans Generations At Stoa Jewelry - Support The Mom & Pop Shops


Personalization Spans Generations at Stoa Jewelry
by Michael Perlman, Forest Hills Times
 
http://www.foresthillstimes.com/view/full_story/22084561/article-Personalization-spans-generations-at-Stoa-Jewelry



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Rena Monogenis, co-owner of Stoa Jewelry




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The heart of Forest Hills can be found along Austin Street, which was once dotted with both simple and upscale mom-and-pop shops reminiscent of a small town. Today, much has changed with the rise of some large corporations often occupying a few storefronts, but the business district retains its Tudor village and Colonial charm.

Nestled between that charm is a gem, where multi-generational patrons come upon a recessed flagstone entryway, sided by tastefully decorated window displays under a rustic wooden sign that reads “Stoa Jewelry.”

Enter Stoa at 71-60 Austin Street, and whether you are a longtime or new patron you will be greeted with a smile and the amiable demeanor of business owners Marie Sinanian and Rena Monogenis.

They have been giving their heart to the community for nearly 45 years by offering custom-produced jewelry, as well as art from local artists.

Making your way inside, the rustic charm continues with wood-and-glass wall and counter displays of custom-made jewelry, high ceilings bearing accent lights on artwork, a rugged plaster wall finish, and wood plank floors. Classical music adds to the gallery ambiance.

Customization is a dominant aspect of Stoa’s mission. “We design every type of jewelry that can be worn, from looks that are classic to way out there,” said Monogenis.

Jewelry is handcrafted in a variety of materials, including sterling silver or gold. Jewelry was originally produced in the back of the shop, but now the owners sketch the designs by hand and it is custom made off premise by local and international artists.

“If you want cufflinks and you have the design, we can execute the design, but if you want us to design it, we can from scratch,” said Monogenis. “If you wanted to create your own family crest, you would tell us what elements are very important to your family, and then we would design it using symbols.”

A notable custom-made design is a sterling silver barbell pendant, where the weight actually fluctuates. A sculptor from Germany designed a universe-inspired abstract sphere comprised of sterling silver rings with a single gold bead. It collapses and expands, and can be worn as a bracelet.

Customers often refer local artists to Stoa, and the owners fulfill their mission to the community by selling their work, which ranges from classical to abstract. Currently, paintings from three local artists are on display. Proceeds from the sale of the artwork are shared between Stoa and the artist.

Sinanian emigrated from Greece with her family in 1962, and settled in Forest Hills. Monogenis was born in Manhattan, but in 1950 at the age of 8, she made a move to Forest Hills. Both are Forest Hills residents to this day.

In 1968, Sinanian began working for her brother-in-law, who once owned Lorilil Jewelers on Continental Avenue. After learning the business firsthand, she took the initiative in 1972 to open her own jewelry shop on Austin Street, known as “A Bit Outre.”

Monogenis, then an employee of Chemical Bank, decided to change her career path not long after befriending Sinanian, and she took some jewelry design classes at the 92nd Street Y. Sharing a mutual vision, their friendship evolved into a business partnership, and on October 2, 1976, they opened Stoa Jewelry.

It may be hard to grasp that the jewelry business was neither owner’s childhood dream, but now it is their niche. Monogenis, who first envisioned being a clothing designer at age 11, attributes part of their success to a balance between their work styles.

“I work more from the heart, whereas Marie works more from the mind,” she said.

Stoa was originally situated further west on Austin Street in a portion of what is now Victoria’s Secret. Sinanian coined the business name due to the large recessed storefront’s configuration, which resembled a portico or arcade in Greek culture.

“A stoa was an ancient structure that was long and narrow, had columns and a roof, and was the town center where markets and meetings took place and people would sit and think,” she explained.

When asked how she felt being one of the last Austin Street mom-and-pop shops, she said, “I feel truly wonderful, and I must say that after all these years, we have been blessed with wonderful customers who have become friends.”

She then reminisced about yesteryear’s well-known mom-and-pop shops in close proximity. There was Buster Brown Shoes, Homestead Gourmet Shop, Beau Brummel (clothing), Koch and Nord Delicacies, Horn & Hardart, Towne Shepherd (hair salon), Thorn & Thistle (florist), Ina’s (millinery shop), and Madeline Begg, which she described as an exquisite dress shop owned by her neighbor.

Throughout the years, Stoa’s clientele has included notables such as Geraldine Ferraro, former professional tennis player Renée Richards, Dennis Hevesi, and judges. Within Stoa’s walls, countless memories are harbored relating to the relationship between the owners and patrons, on the basis of the character of the owners and which extends into their custom-made jewelry.

This contributes to stories ranging from humorous to heart-warming. For example, a long-standing American craftswoman from Maine named Peggy Johnson worked with Stoa to produce a sterling silver necklace with copper-and-stone accents, and dangling kitchen pots and utensils as a focal point.

“A man came into our shop and purchased it for his wife,” Monogenis recalled. “When he returned, he said the rest of his life won’t be the same, since he will never be able to give his wife another gift that she would enjoy as much.”

A heart-warming story followed.

“We designed a necklace for a woman who was the mother of a bride, and based it on the dress she planned to wear at the wedding,” Monogenis said. “She was thrilled, and thanked us with a photo of her outfit during the wedding.”

As for younger generations hoping to launch a jewelry and art business, Monogenis offered some pointers.

“Follow your dream,” she said. “If it is a true love, that will make your entire life a lot easier. Especially since we are in poor economic times, start small.” Referring to her experience, she added, “We could have expanded way back when, but we felt good with this size, which our customers helped accomplish. I don’t believe that success is measured strictly by money.”

On a Saturday afternoon, 10-year-old Ian Fried and his mother engaged in conversation with Monogenis. He was impressed when he learned about Stoa’s custom-made mission. Some items reminded him of his recent interest in collecting antiques, but only time will tell if it will unfold into his niche.

“It’s my first time here, and it’s a very artistic store,” he said. His mother first shopped at Stoa in 1990, and now the younger generation is being introduced. Fried said, “I always pictured these pieces as old-fashioned items from the early to mid-industrial revolution, but now this has given me a whole new light on antiques and how they are made."

“Customers over the years become the mamas, the papas, and an acquired family,” Monogenis said. “They know if they need a place to sit, rest, and socialize over coffee, they can come to us.”

Friday, March 22, 2013

Kenneth Murchison, The Mastermind Behind The Forest Hills Tennis Stadium


Rego-Forest Preservation Council, a longtime advocate of the Forest Hills Tennis Stadium and supporter of the late great architect, Kenneth Murchison, takes pride in sharing....

Kenneth Murchison, A Prominent Architect Who Left His Mark In Forest Hills
by Michael Perlman, Columnist of the Forest Hills Times/Queens Ledger

http://www.foresthillstimes.com/view/full_story/22026912/article-Kenneth-Murchison--a-prominent-architect-who-left-his-mark-in-Forest-Hills

Kenneth MacKenzie Murchison, a foremost public building architect & artist
An aerial photo of Forest Hills Tennis Stadium from 1929

Last week, this column noted that the West Side Tennis Club will host the first annual NY Open from July 4-7 as part of a series of summer events to commemorate the club’s 100-year Forest Hills operation.

President Roland Meier hoped the anniversary events would lead to a gradual restoration and revitalization of the iconic Forest Hills Tennis Stadium, which once hosted the U.S. Open, Davis Cup, Wightman Cup, and singles championships, in addition to the annual Forest Hills Music Festival.

“I believe we can hold quality tennis events, ice hockey in the winter, and a few classical and modern music concerts on a small scale which our club can associate with,” he stated.

In response to the stadium’s influential history and 90th anniversary this August, one may find it difficult to grasp its lack of use for nearly 15 years. Despite minimal maintenance and recent extreme weather, its condition is not as poor as some people claimed when condos were proposed for the site in 2010 and then rejected.

Recent engineering assessments by the club address likely needs such as sealing cracks and upgrading sewer lines, and the president speculated a cost of less than $2.5 million in repairs.

Now is the time to rediscover and honor the prominent architect behind America’s first concrete tennis stadium. His name is Kenneth MacKenzie Murchison (1872-1938), and the Forest Hills tennis stadium is a testament to his cultured life and legends that were born.

In November 1917, the NY Times referenced Murchison as part of the West Side Tennis Club’s nominating committee, which presumes why he was commissioned to design the stadium. Within 10 years of the West Side Tennis Club’s success in Forest Hills, the temporary grandstands surrounding the perimeter were inadequate.

The club and the United States Lawn Tennis Association partnered to finance the 14,000-seat stadium, which cost $150,000. Construction began in April 1923 and was completed that August in time for the Davis Cup, where an American victory took center court.

To help finance the expense, the NY Times reported on May 22, 1923, that 900 out of 1,500 choicest seats have already been taken under a 10-year subscription plan for $100, where the subscriber would have their name affixed to a metal plate, guaranteeing their seat for major events.

The Massachussetts Institute of Technology published “The Technology Review” (November 1922) which read, “America’s Tennis Stadium, now under construction at Forest Hills, Long Island is to be ready for the Women’s Nationals on August 13th and for the Davis Cup Challenge Round on August 31st. The West Side Tennis Club sought a general contractor whose record and facilities guarantee trustworthy workmanship and speed of construction without sacrifice of the economy. The Foundation Company was chosen to do the job.”

The firm specialized in superstructures and substructures, and built in Paris, Rio De Janeiro, London, Montreal, and Chicago. An authentic stadium plaque bears names of the architect, builders, engineer, Stadium Committee, and Board of Governors.

The horseshoe-shaped stadium’s concrete façade features a distinctive colonnade of archways, which appear golden at sunset, and allow spectators to walk underneath. The upper portion of the façade is embellished with cornice detail conveying understated charm, glazed terra-cotta shields which bear the West Side Tennis Club logo, and Moderne eagles which brace vertical flagpoles. Authentic concrete and wood grandstands face the tennis courts and the Tudor clubhouse designed by Grosvenor Atterbury in 1913.

Today, Kenneth Murchison’s descendants live in Rhode Island, New York, California, Oregon, Washington, D.C., and London. Lynne De Wardener-Burris, Kenneth Murchison’s great-granddaughter who lives on Long Island, expressed interest in volunteering to preserve the stadium, as well as other descendants.

Murchison’s grandson is Hays Browning of Washington, D.C., who visited the stadium at age 11. Based upon family stories, he described his grandfather as a good tennis player. In a detailed interview, he spoke of his grandfather’s accomplishments. He stated, “We’ve always been proud of his career, and he left buildings behind as evidence of his work.”

Murchison studied at Columbia University and Paris’ Ecole des Beaux Arts. That was where he befriended John Russell Pope, who designed Washington, DC’s Jefferson Memorial, National Gallery of Art, and the National Archives. Murchison worked with Realtor Douglas Elliman to design New York City’s first cooperative apartments at 39 East 79th Street for friends including Mrs. James Roosevelt and Emily Post.

His other New York residential projects are his family’s residence at 49 East 63rd Street, where Maxfield Parrish once painted, and his residence at the Beaux Arts Apartments at 307 & 310 East 44th Street, which is regarded as a major Art Deco work. His patriotic contribution can be found at Staten Island’s U.S. Marine Hospital.

“Large projects did not deter him,” said Browning. Some of his great public works are Baltimore's Pennsylvania Station, Jacksonville’s New Union Station, Buffalo’s Lehigh Valley and Lackawanna terminals in Buffalo, Havana’s Terminal Station, Hoboken’s Delaware-Lackawanna Station, and Jamaica’s Long Island Railroad Station.

On a more personal scale, he founded and designed the Dunes Club in Narragansett Pier, Rhode Island, where his family summered, and he also designed the once affluent Sands Point Bath and Tennis Club of Long Island. North Carolina’s famed Orton Plantation was the Murchison family’s winter retreat, and examples of his work were additions to the Manor House and the Luola’s Chapel designed in his sister’s memory. It remained in their family until recently. Also in North Carolina, his name is memorialized in Wilmington’s Neo-Classical Revival Murchison National Bank Building.

Besides architecture, Murchison furthered his artistic talents and was an individual of high society.

“He founded the Beaux Arts Balls at Hotel Astor, which benefitted architects during The Great Depression,” said Browning. “He was a talented musician of 14 instruments, was excellent on the piano, and he conducted New York’s Mendelssohn Glee Club.”

In Bryant Park, he stood in the footsteps of George Washington and dressed in his attire to participate in a pageant commemorating the 143rd anniversary of Washington’s inauguration.

Pati de Wardener of Exeter, Rhode Island is the wife of Murchison’s grandson, Max de Wardener. She echoed Browning’s pride, and emphasized how Murchison’s legacy is evident in her family.

“His grandchildren and great-grandchildren inherited his work ethic, sense of community, humor, and style,” she said. “Some are business owners, photographers, electrical engineers, and teachers. Everyone inherited his love of music.”

His 1916 Broadway musical comedy, “Come To Bohemia,” was one example of his expertise as a composer.

After examining stadium photos, de Wardener explained, “Even with its age and scars, it exudes a grace that is timeless. The stands, although wood and not limestone, transports one back to the beautiful amphitheaters of ancient Rome and Greece. I see an ice skating rink in the winter, rollerblading, a jogging track, a dog park, a space for arts & crafts festivals, and an inviting sidewalk cafe nestled under the shade of arches where neighbors would gather.”

Robert Rauschenbach, a 50-year Forest Hills resident who grew up around the stadium, feels enriched. He enjoyed acts including Frank Sinatra, Steve Lawrence & Eydie Gorme, Olivia Newton John, and Bette Midler, as well as the US Open and the Robert F. Kennedy Tournament featuring politicians playing celebrities.

“That stadium needs to be embraced as a shrine,” he said. “Without Forest Hills, there would be no US Open or Arthur Ashe Stadium.” He continued, “Forest Hills is a true icon in the classic sense of what a tennis stadium should be. It was built to last, and with some TLC, it will last hundreds of years.”


Wednesday, March 13, 2013

Forest Hills Tennis Stadium May Be Restored & WSTC To Celebrate 100 Years in Forest Hills This Summer


West Side Tennis Club Looks Back & Plans Ahead
by Michael Perlman of the Forest Hills Times/Queens Ledger

http://www.foresthillstimes.com/view/full_story/21967104/article-West-Side-Tennis-Club-Looks-Back--Plans-Ahead

The Forest Hills Tennis Stadium, which is now 90 years old. America's first concrete tennis stadium! Photo by Michael Perlman
Caption: "The National Tennis Club" circa 1973, Published by Harlee George & Curteich Color, Courtesy of Michael Perlman Postcard Collection
The Tudor clubhouse of the West Side Tennis Club from the Forest Hills Tennis Stadium, Photo by Peter Dutton

The West Side Tennis Club has reached a milestone!

This year marks the 100th anniversary of the stately $25,000 Tudor clubhouse overlooking tennis courts, which was designed by Grosvenor Atterbury, the principal architect of the 142-acre Forest Hills Gardens.

The year 2013 also marks the 90th anniversary that a foremost public building architect, Kenneth Murchison, designed the 14,000-seat eagle-adorned Forest Hills Tennis Stadium, which was the first concrete tennis stadium in the United States.

The West Side Tennis Club was founded in 1892 on Manhattan’s West Side. After outgrowing their second Manhattan home, the club surveyed over 30 locations for an expansion, and voted to move to Forest Hills Gardens on December 3, 1912. In 1913, land was secured with a $2,000 down payment and a $75,000 mortgage.

Come summer 2013, the West Side Tennis Club will celebrate by staging a series of events for club members and the community at large.

“History always repeats itself” may not be just a cliché, as the club marks new beginnings by eyeing an expansion yet again, while educating new generations about its rich but often overlooked tennis, music, social, and architectural contributions to Queens.

The West Side Tennis Club is exploring the idea of developing some covered tennis courts, squash courts, an ice skating rink, and a fitness facility, but at first, club members and the public can anticipate a summer filled with 100th anniversary celebrations.

The first celebration will be a flag ceremony on April 21 for club members. That will be followed by a series of events, such as summer tournaments, carnivals, free tennis clinics, and music festivals that recall the famed Forest Hills Music Festivals held throughout the 1960s and 1970s.

The inaugural New York Open from July 4-7 will consist of a hard court tournament, and will feature citywide amateurs and professionals. The open is being organized by Tennis In New York, a non-profit whose mission is to promote tennis and preserve its history in New York.

“This is why we felt that coordinating this event in Forest Hills would be so appropriate,” said Tennis In New York President and CEO Dale Caldwell.

It may become an annual tradition, evoking memories of a time when the U.S. Open was held at the Forest Hills tennis stadium.

The U.S. Open was founded in Forest Hills in 1968, but was moved to Flushing Meadows-Corona Park in 1978 due to its popularity. In Forest Hills, generations witnessed tennis legends such as Tony Trabert, Billie Jean King, Arthur Ashe, Althea Gibson, Don Budge, Bill Tilden, John McEnroe, and Helen Jacobs take the court.

Meanwhile, legendary musicians who performed in the stadium include Frank Sinatra, Bob Dylan, Barbra Streisand, Simon & Garfunkel, and Trini Lopez. Perhaps the most memorable moment was The Beatles landing in a helicopter on the grass courts.

For approximately 15 years, the stadium did not host events and gradually fell into disrepair. In October 2010, a plan to sell the stadium to Cord Meyer Development to demolish it to make way for condos was voted down by club members.

Former President Kenneth Parker expressed his disappointment, hoping it would improve club finances. On January 1, 2012, President Roland Meier took his seat, and now remains hopeful for a future that will capture some of the clubhouse and stadium’s past glory.

Some local business owners and residents see a brighter future. Rena Monogenis, co-owner of the 44-year-old Stoa Jewelry at 71-60 Austin Street praised the idea behind the New York Open and summer events.

“This would restore a spirit to our neighborhood,” she said, reminiscing on her early twenties when she saw Billie Jean King play. “It would be wonderful getting the stadium back into action. When something is built well, it weathers the years and should not go to waste.”

“The events planned for this summer are really great because it would help support the effort to restore and revive the club and its iconic stadium,” said James Voketaitis, who has lived in Forest Hills for 18 years. “I am sure there will be many Queens organizations that will be very interested.”

One such organization is the Queens Economic Development Corporation, where Forest Hills resident Seth Bornstein is the executive director. Upon hearing about the club’s anniversary and vision, he also saw potential for the club and stadium, calling it a great asset to Queens and New York City.

“Their concept is good, and would certainly attract visitors to Queens,” he said. “Bringing people to Forest Hills would help local shops and restaurants along Austin Street and Metropolitan Avenue. If the West Side Tennis Club moves on this, the Queens Tourism Council would certainly help promote it.”

In an interview with Meier, he explained his vision and the progress already underway.

“The New York Open will be a first, and we hope it will become a major New York event,” he said. “We have a lot of interest from people who want to play, companies who want to participate, and special guests.”

Meier hopes the 100th anniversary events and the conceived expansion will lead to the stadium’s revitalization.

“We are looking at a gradual restoration,” he said. “I believe we can have quality tennis events, ice hockey in the winter, and a few classy concerts on a small scale which our club can associate with. We picture a mix between classical concerts and modern music.”

Members are contributing and volunteering their time to many projects.

“We are building a playground, and the club is becoming more family-friendly,” Meier said. “If you live in the neighborhood, it’s the best backyard to play in.”

Some people have suggested that the stadium is not structurally sound, but Meier refuted that claim.

“We did testing and the structure is sound,” he said. “We need to seal the stadium to avoid water penetration and need a new sewer system.”

Meier takes pride in the 100-plus new members that joined this past year, which includes many young members and families.

“We have achieved something that we never have before in our club history,” he said. “We were very isolated for many years, but now we are becoming a part of the neighborhood. This is a start to closing our wallflower status.

“We are onto something and can gain momentum to make it into a real club,” Meier added. “I want the West Side Tennis Club to survive for another 100 years and become a destination again.”

Eye on the Forest Hills Tennis Stadium, 2010 photo by Pat Lannan
From the grandstands towards the historic field & clubhouse, Photo by Peter Dutton
The eagle overlooking the field has gone astray, but restoration would be a plus. Historic photo courtesy of Michael Perlman & Rego-Forest Preservation Council

Celebrities were a staple at the stadium & club. This is magazine clipping from circa 1954.

Thursday, February 28, 2013

Rego Park's 90th Anniversary & A Need For Restoration


Rego Park developers Henry Schloh & Charles Hausmann & co, circa mid 1920s, Courtesy of Bruce Powell
Rego Park homes, office, & stores to be erected circa mid 1920s, Courtesy of Bruce Powell
The building of Rego Park July 13, 1926, Courtesy of Bruce Powell

A Real Good Community Turns 90 & Looks Ahead
By Michael Perlman of the Forest Hills Times/Queens Ledger

Rego Park is a “REal GOod” community to live in, and residents and history aficionados now have more reasons to learn why.

This year marks the 90th anniversary of Rego Park. In 1923, the Rego Construction Company, Inc. also known as the Real Good Construction Company acquired land in Forest Hills West, and named Rego Park after their advertising slogan, “REal GOod Homes.”

Their goal was to develop and market the area. On October 14, 1923, the New York Times announced that Rego Construction Co. was chartered for $75,000. The firm consisted of President Henry L. Schloh and Secretary and Treasurer Charles I. Hausmann, both of whom emigrated from Germany.

Schloh and Hausmann came upon farmland which was settled in the 17th century by Dutch and English farmers, who were followed by German and then Chinese farmers, who sold their produce in Chinatown. The sole road was Remsen’s Lane (now 63rd Drive), which was named after the Remsen family farm.

On March 25, 1925, the New York Times published, “Work will be started at once on the houses to be erected on the lots off Queens Boulevard, while the property fronting this 200-foot highway will be developed with modern, high-class apartment houses as soon as the parking and paving are completed.”

With a Bank of Manhattan Company loan, Rego Construction Company began developing 525 eight-room one-family Colonial frame houses between 63rd Drive and Elliot Avenue, which sold for about $7,500. Prospective buyers would call NEWtown 6432.

Marion Court, 62-98 Saunders St developed by Rego Construction Co, Photo by Michael Perlman, March 2010
Remo Hall, 61-40 Saunders St, Photo by Michael Perlman

Jupiter Court, 62-64 Saunders St developed by Rego Construction Co, Photo by Michael Perlman
To complement the houses, the firm developed three apartment houses, which 70 families each called home. They were the Tudor-style Remo Hall at 61-40 Saunders Street (1927), followed by the Spanish Mission-style Jupiter Court at 62-64 Saunders Street (1927), and the Spanish Mission-style Marion Court at 62-98 Saunders Street (1929).

These significant buildings by Architect Benjamin Braunstein survive mostly intact. Architecturally, Marion Court boasts terra-cotta features depicting animals, leaded glass depictions of castles, and a roof garden where residents would recreate and keep cool come summer. For two to four rooms at Remo Hall and Jupiter Court, rentals cost $46 and up.

“When the Depression hit, my grandfather refused to go bankrupt, so a lot of the money invested in his developments came from family and friends,” said Bruce Powell, Schloh's grandson. “According to my mother, he didn’t buy a new suit for 10 years, since he tried to keep everything afloat.”

The children of Rego Park had their first public school, PS 139, in 1929. Then on March 9, 1930, Schloh told the Times, “With the completion of the Queens Boulevard subway now under construction, that section must continue to gain in valuation and in development.”

That came true, as other firms developed buildings along Saunders Street and Queens Boulevard, such as the Saunders Gardens complex featuring a private park, and the Oxford-Cambridge group. A model of urban planning south of the Long Island Railroad is the early 1930s Rego Park Crescents, named after alphabetical concentric semicircular roads. Tudor rowhouses were built by Rodman & English, and freestanding homes are also found.


The Tudor and Arts & Crafts charm at the Rego Park Crescents, Photo by Michael Perlman
 The 1939 World’s Fair in Flushing Meadows added to the need for residential development, such as the English-style Queens Blvd Gardens apartment complex, where four out of six acres offer lush gardens.

Commerce increased too, most notably with Art Deco limestone-appointed shops lining 63rd Drive, which once housed Woolworth and McCrory’s. Queens Boulevard shops included Bartons, Hamburger Train, Evelyn’s Bake Shop, Scott’s Seafood, and the longtime survivor Ben’s Best Delicatessen.

Howard Johnson's at 95-25 Queens Blvd with the Trylon & Perisphere monuments of the 1939 World's Fair in the background
“My favorite memory was when all the kids in the neighborhood would go to Howard Johnson’s (1940) for their birthday parties and get a free little white frosted cake,” said Jackie Kilberg of Rego Park, who fondly recalled the long-demolished Colonial mansion on Queens Boulevard, which was deemed the “Largest Roadside Restaurant In The World.”

Nearby, Boulevard Tavern hosted receptions, big bands, and singer Patti Page, while Fairyland offered amusements for children.



In 1939, the WPA funded the recreational center, Lost Battalion Hall, which honored the 77th Division of the U.S. Army for its WWI heroism. It included a firing range and drill hall for the Queens Veterans of Foreign Wars and the American Legion.

After the 1939 World’s Fair, some major Mid-Century Modern planned developments followed with Walden Terrace (1949) and Park City (1955), as well as Alexander’s department store (1963).

Due to Rego Park’s architecture, urban planning, social spaces, and accessibility, even celebrities called it home. Some were composer Burt Bacharach, actor Eddie Bracken, comic actor Sid Caesar, actress June Havoc, dancer Gypsy Rose Lee, 1945 Miss America winner Bess Myerson, comedian Marty Ingels, and producer Fred Silverman.


Rego Park Jewish Center, 97-30 Queens Blvd, Photo by Michael Perlman
Rego Park Jewish Center's mosaic mural adorns its Art Deco facade with Old Testament scenes, Photo by Michael Perlman

Rego Park Jewish Center's prominence on Queens Blvd in the late 1940s

“We have been a beacon for more than seven decades as the largest spiritual, cultural, and recreational center, and a lifeline for the Jewish community and other denominations,” said longtime resident Ruth Loewenstein of Rego Park Jewish Center. “We congratulate Rego Park on its 90th anniversary.”

The Bauhaus-style synagogue earned State & National Register of Historic Places status in 2009.

Ruth Mueller is a congregant of Our Savior Lutheran Church (1931), a charming wooden church on 63rd Drive. Mueller was born in 1922, and witnessed Rego Park’s rural to urban transformation. She lived in a frame house at 97-51 63rd Road, which had to be elevated to make the land level.


Our Saviour Lutheran Church, 92-14 63rd Drive, Photo by Michael Perlman
A charming early 1930s view of Our Saviour Lutheran Church

97-51 63 Rd with elevation, Courtesy of Ruth Mueller who born in 1922 in Rego Park. Park City now stands on this site.
Courtesy of Ruth Mueller
Courtesy of Ruth Mueller
“My life has been a very full life, and I am thankful I can remember all the history,” Mueller said. “I would see movies at the (1939 World’s Fair-inspired) Trylon Theater and the Drake Theatre (1935), go on a date with my husband and have butter crunch and pistachio ice cream at Winther’s Confectionery on Woodhaven Boulevard, swing on Weeping Willow trees, and walk five minutes to the new subway.”

“We’re a long-standing member, and we want to not only be a part of Rego Park history, but more and more a part of its heart and soul, and show simple acts of love and kindness to our neighbors,” said Pastor Matthew Popovits, a six-month Rego Park resident. “We have the world at our fingertips, since the world is in Rego Park, with its ethnic diversity, constant activity, and accessibility.”


The "World of Tomorrow" (NYWF theme) was depicted at the Trylon Theater at 98-81 Queens Blvd, which gave joy to its patrons from 1939 - 1999. Today, it is unfortunate that only a smaller quantity of its 1939 World's Fair-inspired Art Deco design exists. In Rego Park, what will the "World of Tomorrow" bring?
 
Today, Rego Park’s commerce continues to boom with the 2010 development of Rego Center featuring Century 21, Costco, and Dallas BBQ. Despite growth, it is important to preserve Rego Park’s vast concentration of historic architecture which grants a distinctive identity.

Dadras Architects, a firm led by partners Robert Dadras and Victor Dadras, participated in a Rego Park walking tour in 2012. They are the founders of the Downtown Revitalization Group, a collaborative which specializes in historic preservation, urban design, and adaptive re-use. They discovered a unique and rare Art Deco presence along 63rd Drive.

“With façade restoration work, the business district could be brought back to life, so its historic architecture will be fully appreciated,” they stated.

After touring residential Saunders Street, they commented, “This is reminiscent to a European approach to urban living in a garden community, and an excellent prototype of a design for New York City’s future.”

Looking ahead, they stated, “the 90th anniversary is a wonderful milestone, and it is our belief the Rego Park community should take this opportunity to preserve and celebrate their history as a vital part of their revitalization effort.”

More information about Dadras Architects & the Downtown Revitalization Group: http://www.dadrasarchitects.com/downtown.html

Rego Park photos courtesy of Michael Perlman & Rego-Forest Preservation Council: http://www.flickr.com/photos/8095451@N08/collections/72157617606028777/



Wednesday, January 16, 2013

Science-A-Peel Seeks A Historic Space In Forest Hills

Any ideas on a historic Forest Hills space that can be acquired, restored, and creatively reused to fulfill the mission of a highly beneficial science public charity? Building owners, developers, and community residents can contact Michael Perlman, Chair of Rego-Forest Preservation Council at unlockthevault@hotmail.com

Science-A-Peel Might Give Birth To A Forest Hills Brain Science Center
by Michael Perlman of the Forest Hills Times/Queens Ledger

http://www.foresthillstimes.com/view/full_story/21428218/article-Science-A-Peel-Might-Give-Birth-To-A-Forest-Hills-Brain-Science-Center


Forest Hills Brain Science Center

Science is universal, from the air we breathe to the change of seasons to our manmade creations, and certainly what designates Forest Hills as “Forest Hills.” Meet Lisa O’Keefe, a dedicated Greenlawn, NY, resident who had a vision leading to the creation of Science-A-Peel, Inc. in January 2010.

It was founded as a public charity in New York State, with a mission of implementing a greater participatory level of public education in the science field. Science-A-Peel was coined to “peel back the layers to better understand how science addresses modern day issues.”

Now O’Keefe has high hopes of further developing that vision by opening the first science center of its kind in New York: a Brain Science Center in Forest Hills. She is gathering input on potential sites and drumming up community support.

The center would be viable to all; inclusive of ESL needs, the hearing and sight-impaired, and physically handicapped. In addition to coordinating diverse events, exhibits would be hands-on, interactive, utilize animatronics, and consistently rotate.

“There is no branch of science and no aspect of life that cannot be linked to the brain and then questioned,” she said. “Why do artists use certain colors in paintings, and why do sports improve brain function?”

Science-A-Peel will seek related sponsors, such as art galleries and sports organizations, and visualizes bonding with various Queens organizations. A brain museum would also be unique, since there are only two other brain museums, one in Europe and another in Wisconsin, according to O’Keefe.

Science-A-Peel is trying to acquire a Forest Hills building with old world charm between 3,000 and 9,000 square feet. A low-end purchase or a tax donation would be ideal, where the donor’s name would be used as part of the center’s name.

Possibilities are commercial properties, theaters, religious sites, banks, and firehouses, as long as it is asbestos-free. With a contractor on board who restored historic homes and museums throughout New York and Connecticut, the firm agreed to restore the center’s historic façade. If distinctive decorative features exist within, those would also undergo restoration and be incorporated into an interior showcasing hands-on exhibits.

A great example of creative reuse is Binghamton’s Roberson Museum and Science Center, which sensitively converted the historic Roberson Mansion.

O’Keefe values preservation, not solely upon aesthetic beauty, history, and culture, but as a science.
“Architecture is an important part of the hard sciences, based upon the materials used or how a building is constructed,” she said. “It also reflects social sciences, where you get a glimpse of the builder and a community’s people.”

One may speculate, “Why Forest Hills?” O’Keefe views Forest Hills as a heavily populated, accessible, and diverse area. Its board of directors shares in that diversity.

“They are uniquely qualified to devise exhibits that address diverse learning styles of the general public,” stated O’Keefe, who has a background in teaching, broadcasting, and government. “One board member is a psychologist specializing in Autism, and another opened 22 science centers in the U.S.”

Despite some great teachers and science centers, New York State has the 7th lowest proficiency in science, according to O’Keefe, who put part of the blame on budget cuts.

“Many students are not performing in the highest percentiles, such as ESL students or students with learning disabilities,” she said. “Teachers only have so much time with students, so Science-A-Peel developed diverse methods of getting students interested in learning science.”

One example of how Science-A-Peel will interact is by offering customized lesson plans for free, as well as composing material in a few languages.

Naomi and Gregory Sam of Bayside bring their eight year-old daughter Kristen Sam to Forest Hills’ Belle Arti Center for the Arts weekly. “Science programs are weak, basic, and repetitive in Queens elementary schools, so visiting this center would expose our daughter to more science and a different way of learning,” said Naomi.

Kristen expressed her interest in future visits. “I’ve been learning about the solar system and matter in school, but I want to learn about volcanoes, hurricanes, and tornadoes,” she said.

Business owner Peter Kambitsis of Ripe Juice Bar and Exo Café recognizes potential for a science center. “Forest Hills has a diverse and very educated crowd, and it is great to introduce something that will help develop our education,” he said. “Everything is easily accessible, too.”
As for potential sites, he said, “I envision a science center along Metropolitan Avenue where real estate is more economical and there are historic businesses such as Eddie’s Sweet Shop. If a site cannot be secured in Forest Hills, Flushing Meadow’s New York State Pavilion should be a candidate under a public-private partnership.”

As our brain convinces us to question nature, it is intriguing to determine what led O’Keefe on her path. Her greatest influences are her parents. On a personal level, they taught her about reputation and living life to the fullest with passion, honesty, and integrity.

“On a professional level, I have admired their career paths and have incorporated their zeal and knowledge in my own life,” she said.

Her father, Lt. Col, John F. Vallone (retired USAF), worked with the Atlas-Agena rocket and transitioned to head the recovery missions for the Mercury, Gemini and Apollo space missions for the Middle East, Africa, and Indian Ocean. Her mother, Louise Vallone, had a unique teaching background which helped advance her knowledge of the sciences.

“She taught me word game associations to help memorize facts, and diverse hands-on activities to increase my learning in a fun, active way,” O’Keefe said. “This was vastly ahead of its time, and proved decades later to be the way to educate diverse learners.”

Nicole Crowley coordinates creative fundraising events for Science-A-Peel, which educates the public about science in a family-based environment. In August 2012, she hosted a charity night in Maspeth and “The Amazing Kreskin” in Port Washington.

“The Great Greenlawn Sciencebed Race & Parade” is held annually. In the summer, there will be a traveling science exhibit, and Science-A-Peel will visit schools and libraries which request it.
Now in its fifth season, their weekly show “Science Is Appealing” highlights a branch of science and its relation to modern day issues, such as overpopulation and its environmental compromise, as well as bees, neuroscience, and radiology.

The public can be a co-host. Segments air on Cablevision channel 115 and are recapped at www.scienceapeel.com. In addition, Science-A-Peel’s interactive mission is fulfilled through website features including “Ask The Scientist” and the “Science Resource.”
“At all of our events, we are meeting people from Queens who show an interest,” said O’Keefe.

The public has been responding favorably by donating beneficial products for future exhibits, such as computers, flat screen televisions, and kits for robotics, earth science, and microscopes. Donation and sponsorship opportunities help make learning much more accessible and enjoyable. Enrich your brain by interacting with Science-A-Peel, and play a role in your future by offering a permanent home in Forest Hills.

Thursday, January 3, 2013

The QueensWay: Queens' Own Rendition of The High Line?


A Step Closer To The QueensWay
by Michael Perlman of the Forest Hills Times/Queens Ledger

http://www.foresthillstimes.com/view/full_story/21301330/article-A-step-closer-to-the-QueensWay





Hop aboard the QueensWay!

Not to catch a train, since the trains were taken out of service on the LIRR Rockaway Beach Branch Line in 1962, but for the visualized first linear park and cultural greenway of its kind in Queens, stationed atop of an abandoned industrial relic with Forest Hills trestles bearing a stone inscription of “1908.”

Some 60 years since its abandonment, Queens is one step closer towards achieving a High Line of its own, but will not necessarily echo Manhattan’s elevated stretch overlooking the Hudson River.

On December 19, Governor Andrew Cuomo announced a $467,000 Environmental Protection Fund grant by the State Department of Parks, Recreation and Historic Preservation to the Trust for Public Land (TPL). This would fund a feasibility study to determine the likelihood of converting a 3.5-mile stretch along the former LIRR line into an elevated public park.

As part of Mayor Michael Bloomberg's PlaNYC 2030, all New Yorkers should live within a 10 minute walk of a park. The QueensWay would achieve that, serving around 250,000 residents living within a one-mile radius.

The QueensWay would bridge the Queens communities of Rego Park, Forest Hills, Woodhaven, Glendale, Richmond Hill, and Ozone Park to Forest Park, and also bridge Queens residents through recreation, the arts, and historic and environmental preservation.

A much-needed green space may feature a pedestrian and bike path that would offer a bird's eye view of neighborhoods, and enable access to nearby bike lanes en route to Rockaway Beach and Jamaica Bay‘s recreational spaces, as well as five subway lines, numerous commercial districts, and schools.

“Over the next year, we will conduct environmental and engineering analyses, as well as a community visioning that will determine costs to turn a blighted rail line into an uninterrupted bike and walking path,” said Marc Matsil, New York State director of TPL. “The project would help catalyze economic development and celebrate the immense cultural diversity of Queens."

Since 1972, the non-profit has preserved more than three million acres from the inner city to the wilderness, and helped generate over $34 billion in public funds for conservation.

“Over the past 15 years, we assisted in the acquisition, development, and construction for successful projects such as the 17-mile West Orange Trail, the 18-mile Santa Fe Rail Trail, and New Paltz’ 12-mile Wallkill Valley Rail Trail,” said Matsil.

TPL joined forces with Friends of The QueensWay, a group founded in late 2011 by neighborhood advocates, which launched an online petition generating 2,130 signatures in favor of the project.

“It will help connect neighborhoods to green space that do not have access, help the local economy by bringing more folks to established shopping areas such as Austin Street, and help develop new opportunities along the QueensWay,” said Andrea Crawford, chair of CB9 and a member of the QueensWay Steering Committee.

“The project would create an estimated 700 construction jobs and 800 to 1,000 permanent jobs,” added Matsil.

The QueensWay would also foster friendships among residents of Queens’ ethnically diverse neighborhoods.

“There are greater than 100 ethnic groups within a mile, and we want to celebrate our diversity through cultural programs,” said Matsil, adding that its artistic and cultural scene will be a blank canvas of sculptures and ethic foods.

The lack of maintenance for 60 years has led to graffiti and hazardous conditions, including rusty tracks and large weeds engulfing litter such as aerosol cans, plastic bags, and abandoned cars, but that would be cleaned up.

Some residents with homes along its path voiced worries about crime, but it is desolate areas that are often an invitation to crime. Communities along the QueensWay’s path would be safer, as Friends of The QueensWay ensured that the stretch would be well-lit, monitored, and operate during specific hours. And TPL's goal is green infrastructure, which would pose the benefit of reducing stormwater.

Despite the extensive benefits outlined in the QueensWay proposal, Ozone Park Assemblyman Phil Goldfeder has supported reactivating the rail line to increase transit options ins southern Queens. Crawford believes reactivating the rails are not feasible, but says Goldfeder's goals can be met by reopening shuttered LIRR stops and developing bus routes.

The creative reuse of Manhattan’s 1930s-era High Line is a similar success story. Since its abandonment in 1980, some only saw a rusty structure meriting demolition, but in 1999, Friends of the High Line formed and raised funding and partnered with the city. June of 2009 marked the first section’s opening.

The High Line spared a historic railway which once delivered goods to the Meatpacking District, reused tracks to cultivate native plants and wildflowers, and introduced food kiosks, sitting areas, and water features.

“Here lies the space and creativity to do amazing things that don't necessarily raise the rents or pull the same amount of tourists, but could enlighten and enrich the communities that are a part of it,” said designer Gil Lopez, an urban ecological advocate of the QueensWay. “The bike path component sets apart the QueensWay, as well as emphasizes the need for alternative forms of transportation locally.”

Lopez envisions more diverse uses that retain the natural woodland character to highly programmed areas with seating, covered areas, and possibly outdoor dining and entertainment.

“The gardens should be diverse, from community gardens with individual plots to borough/city-managed areas maintained by the Parks Department,” Lopez said. “Areas can also be managed by non-profits.”

Forest Hills resident Travis Terry and his firm Capalino+Company worked with the Friends of the High Line, and he is now a proud member of the Friends of The QueensWay Steering Committee.

“As studies have shown, rail-to-trail conversions have a positive economic impact on the neighborhoods where they exist,” Terry said. “According to the New York Times, the High Line is responsible for over $2 billion in private investment, the creation of thousands of jobs, and a flourishing local business sector.”

“We have been in communication with the Queens Chamber of Commerce, will engage community residents who wish to bring ideas to the table, and will work with the City of New York and private philanthropies,” added Matsil.

To play a role, join facebook.com/FriendsofTheQueensWay

Saturday, December 15, 2012

Civic Virtue To Be Snatched From Queens Today?

Shame Cam: In 4 hours, this historic view may be gone forever
 Will this be known as the day that Civic Virtue/civic virtue died in Queens?

Starting at 7 AM today, Queens' historic Civic Virtue, a historic public work of art will reportedly be confiscated by our city, chiseled away from its Angelina Crane Fountain, and be transported to Brooklyn's Green-Wood Cemetery on "long-term loan." Potentially according to the City Charter, long-term loan indicates a period of 3 years. Queens citizens pay their fair share of taxes, so public art belongs to us. We need to launch a further investigation and demand its return to Queens and its restoration! 

Does Queens have a Democracy? Would political forces dare to remove other famed works such as the Statue of David, Venus de Milo, or Perseus holding up the head of Medusa?

Jon Torodash, Founder of Triumphofcivicvirtue.org has been leading a "good fight" to have Civic Virtue retained and restored in Queens, which is where it has remained for 71 years. Torodash will be at the site, documenting its move. Kudos to his dedication and transparent nature in the face of political greed as witnessed over the years locally.

Case Studies of Political Greed?

--  A public servant known as our ex-Congressman Anthony Weiner called Civic Virtue sexist at his February 2011 press conference, and sent a request to the Department of Citywide Administrative Services, calling for its removal from Queens. In the meantime, he was caught sexting not long after, and then resigned from public office. 

 -- Queens BP Helen Marshall wants her rendition of a statue placed on top of the historic fountain base that would remain after Civic Virtue's removal. First, she envisioned a glass addition to the back of Queens Borough Hall which lead to the elimination of at least 20 healthy cherry trees in spring 2012, and then she refuses to restore Civic Virtue at her community's request, permitting its removal.

Civic Virtue holds a mirror up to the wrongdoings of our politicians, as it denounces societal corruption & vice, and some public servants just cannot bear the truth.

According to Triumphofcivicvirtue.org:

"Tomorrow, December 15th, Triumph of Civic Virtue is slated for removal. We have heard from a supporter, who has been serving jury duty in the area and spoke with the workmen, that removal will start at 7 AM. Apparently, they have already been sawing through the base. Jon Torodash will be down at the site filming the removal, both to make sure that it is done properly and to take record of the disgrace the event symbolizes. We welcome you to come out and witness this sad event."
http://triumphofcivicvirtue.org/2012/12/14/statue-to-be-removed-tomorrow/